"A series of mini-memoirs bound together like a mosaic."--Publishers Weekly

Choose from a range of extraordinary mosaic techniques and materials for making 20 exceptional decorative items. Use silicone to apply art glass onto a translucent background for a uniquely shimmering look. Incorporate natural and found objects like fossils and bottles washed up on shore and polished by the sea. Projects include a table adorned with rocks and glass, a mirrored tray, a 3-D decanter, and more.

This work is the first volume of two that will be the full report of major excavations carried out by Dumbarton Oaks and the Istanbul Archaeological Museum at Sarachane in the heart of ancient Constantinople. This volume includes discussion of excavation and stratigraphy; catalogs of sculpture, revetment, mosaic, small finds and other materials: and general treatment of architecture, sculpture, and history of the site. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

"The Grove Encyclopedia of Materials and Techniques deals with all aspects of materials, techniques, conservation, and restoration in both traditional and nontraditional media, including ceramics, sculpture, metalwork, painting, works on paper, textiles, video, digital art, and more. Drawing upon the expansive scholarship in The Dictionary of Art and adding new entries, this work is a comprehensive reference resource for artists, art dealers, collectors, curators, conservators, students, researchers, and scholars." "Similar in design to The Grove Encyclopedia of Decorative Arts, this one-volume reference work contains articles of various lengths in alphabetical order. The shorter, more factual articles are combined with larger, multi-section articles tracing the development of materials and techniques in various geographical locations. The Encyclopedia provides unparalleled scope and depth, and it offers fully updated articles and bibliography as well as over 150 illustrations and color plates." "The Grove Encyclopedia of Materials and Techniques offers scholarly information on materials and techniques in art for anyone who studies, creates, collects, or deals in works of art. The entries are written to be accessible to a wide range of readers, and the work is designed as a reliable and convenient resource covering this essential area in the visual arts."

Presented through 20 case studies covering Europe and the Near East, Neighbours and Successors of Rome investigates development in the production of glass and the mechanisms of the wider glass economy as part of a wider material culture in Europe and the Near East around the later first millennium AD. Though highlighting and solidifying chronology, patterns of distribution, and typology, the primary aims of the collection are to present a new methodology that emphasises regional workshops, scientific data, and the wider trade culture. This methodology embraces a shift in conceptual approach to the study of glass by explaining typological change through the existence of a thriving supra-national commercial network that responded to market demands and combines the results of a range of new scientific techniques into a framework that stresses co-dependence and similarities between the various sites considered. Such an approach, particularly within Byzantine and Early Islamic glass production, is a pioneering concept that contextualises individual sites within the wider region. By twinning a critique of archaeometric methods with the latest archaeological research, the contributors present a foundation for glass research, seen through the lens of consumption demands and geographical necessity, that analyses production centres and traditional typological knowledge. In so doing the they bridge an important divide by demonstrating the co-habitability of diverse approaches and disciplines, linking, for example, the production of Campanulate bowls from Gallaecia with the burgeoning international late antique style. Equally, the particular details of those pieces allow us to identify a regional style as well as local production. As such this compilation provides a highly valuable resource for archaeologists, anthropologists, and art historians.