Since September 2009, the legendary fashion and portrait photographer Terry Richardson has been keeping an online photo diary, posting a new picture every day. These posts typically contain informal portraits of whomever Richardson is shooting, or whichever celebrity, artist or other public figure has dropped by the studio--either for an actual sitting or perhaps to discuss an upcoming project. Also posted to the site are examples of Richardson's street photography--snaps of street signs, buildings and sights around New York. As with Andy Warhol's Time Capsules, the accumulation of these candid, off-the-cuff photographs over the past three years has amounted to a social map of the most interesting people on the fashion, art, political and music scenes. Equal parts red carpet and intimate salon, the parade of people who enter Richardson's studio is boggling in its diversity. Amongst the thousands featured in Terry Richardson's Diary 2010 are Barack Obama, Lady Gaga, Rihanna, Angela Westberry, Frank Ocean, Richard Prince, Ryan McGinley, Donatella Versace and Kate Moss. This tantalizing array of images also provides a sense of how many of our media and pop culture images are shaped by the creative energies of one talented individual. The book is presented in a yearbook format to accentuate its origins as a daily practice. Known for his punk-rock sensibility and willingness to take a fresh, edgy approach to portrait, fashion and documentary photography, Terry Richardson (born 1965) boasts a list of fashion clients including Marc Jacobs, Tom Ford and Yves Saint Laurent. His editorial work has been featured in publications ranging from Rolling Stone to Vogue and Vice.

Despite all the efforts to promote change, power and authority still seem to be permanently associated with the white, the straight and the masculine, both symbolically and in the everyday world of organizations. As the intricate relationship between the symbolic and the everyday remains under-researched, this anthology proposes a transdisciplinary feminist perspective drawing on the humanities in order to explore the complex nature of the gendered politics of organizations. Indeed, analyzing how images, narratives, symbols and bodies are all part of how power and gender are constructed in organizations through a broad and international range of empirical studies, Bodies, Symbols and Organizational Practice explores issues at the interstices of the humanities and social sciences, combining theoretical and analytical perspectives from both areas. Providing a radical analysis of the gendered dynamics of power as well as petitioning for radical intervention into those dynamics, this timely volume will appeal to postgraduate students and postdoctoral researchers interested in fields such as: Organization and Management Studies, Gender studies, Feminist theory and Sociology of Work & Industry.

The author is one of Castleford's most dedicated supporters. His personal experience following the club stretches back almost fifty years. In addition, he has endeavoured to educate himself about the early years of the team's fortunes, not least the achievements of the 1930s and the doldrums of the 1950s.

In this timely analysis of the economics of access that surround contemporary female celebrity, Hannah Yelin reveals a culture that requires women to be constantly ‘baring all’ in physical exposure and psychic confessions. As famous women tell their story, in their ‘own words’, constellations of ghostwriters, intermediaries and market forces undermine assertions of authorship and access to the ‘real’ woman behind the public image. Yelin’s account of the presence of the ghostwriter offers a fascinating microcosm of the wider celebrity machine, with insights pertinent to all celebrity mediation. Yelin surveys life-writing genres including fiction, photo-diary, comic-strip, and art anthology, as well as more ‘traditional’ autobiographical forms; covering a wide range of media platforms and celebrity contexts including reality TV, YouTube, pop stardom, and porn/glamour modelling. Despite this diversity, Yelin reveals seemingly inescapable conventions, as well as spaces for resistance. Celebrity Memoir: from Ghostwriting to Gender Politics offers new insights on the curtailment of women’s voices, with ramifications for literary studies of memoir, feminist media studies, celebrity studies, and work on the politics of production in the creative industries.

The author is one of Castleford's most dedicated supporters. His personal experience following the club stretches back almost fifty years. In addition, he has endeavoured to educate himself about the early years of the team's fortunes, not least the achievements of the 1930s and the doldrums of the 1950s.

This fully updated and expanded edition covers over 10,200 programs, making it the most comprehensive documentation of television programs ever published. In addition to covering the standard network and cable entertainment genres, the book also covers programs generally not covered elsewhere in print (or even online), including Internet series, aired and unaired pilot films, erotic series, gay and lesbian series, risque cartoons and experimental programs from 1925 through 1945.

Originally published: Australia: Allen & Unwin, 2010.