This book assesses the key definitions, forms, contexts and impacts of terrorist activity on the arts in the modern era, using historical and contemporary perspectives. Its empirical case studies include theatre, literature, music, visual art, mass media, film and the mores of ‘ordinary life.’ While its immediate reflective context is Islamic fundamentalist terrorism, the book reviews a broader range of definitions and counter-definitions of 'terrorism', 'state terrorism' and 'states of terror,' examining uses of the terms through a series of comparative analyses. Chapters focus on the intersection of these definitional questions with heuristic analysis of art forms, cultural activities and their socio-historical contexts. This book will be of interest to scholars in art history, terrorism, politics and the media, and visual culture.

Art in the Age of Terrorism tackles one of the most difficult topics imaginable - a war that is quintessentially postmodern in its decentred identity, globalized character and confused conflict of cultures. In this publication both artists and critics explore in a series of essays the various ways in which art can help articulate the zone of grey that lies behind the black and white term 'terrorism'. A significant number of the texts deal with the theme of 'the unspeakable', from a number of perspectives. An international plurality of voices is offered in this book, addressing key works by artists from New York, Northern Ireland, South Africa, Lebanon and Israel, many of them profoundly moving and poignant. A number of contributors address the problems facing refugees from terror in the post-9/11 era, exploring the cruel logic by which the contemporary refugee from terror is often perceived as a terrorist and treated accordingly.

Presents a collection of anti-war graffiti images from around the world.

Understanding of Operational Counter Terrorism is one serious effort to lay out a comprehensive strategy of how to deal with a whole gamut of possible terrorist incidents by using a language that any person or first responders like policemen, security personnel, firemen, paramedics, etc. can understand. This guide covers everything from bombings and hostage- taking, to NBC (Nuclear, Biological and Chemical) Terrorism, what needs to be done before, during, and after an event. This manual combines what minimally needs to be understood about Operational Counter- Terrorism by the government- level policy maker, while at the same time helping the personnel on the first responder level who are planning to cope with what must at least initially seem like an overwhelming attack. Terrorism is global and any part of this guide can easily be adapted and translated to any region, law and government in the world. This manual should make clear that the only way, to effectively deal with terrorism is to have a thorough understanding of its present-day characteristics such as who is involved and what weapons and tactics are the terrorists likely to be using. The players on the Counter- Terrorism team need to take stock of what is in their tool boxes; what works and what is required; what new capabilities need to be developed in order to face not only today's terrorist, but also tomorrow's as well.

Containing essays by an array of top international scholars, this new book provides a comprehensive analytical critique of the current state of research in the terrorism and counterterrorism studies field, what it has substantively achieved over the years and where it should be heading in the future. Offering an overall examination of research achievements and gaps in scholarly efforts towards understanding terrorism as a complex behavioural and social phenomenon, it also assesses various research approaches into counterterrorism studies, clearly identifying a pathway for prioritized future research agendas in the field. This future research agenda is further enhanced by the provision of an appendix containing 444 identified research topics developed by the United Nations Terrorism Prevention Branch. Mapping Terrorism Research builds a cohesive, interdisciplinary and high-quality research agenda in terrorism and counterterrorism for future generations of academic students, scholars as well as practitioners, and will appeal to students of terrorism studies, political science and international relations.

Over the past two centuries, abuse of antiquities and fine art has evolved from the “spoils of war” into a medium for conducting terrorism which strives to erase the cultural heritage of “the other”. At the same time, the growth of the art market over the past fifty years has created opportunities for exploitation of cultural property. Since World War II, there has been maturing international awareness that armed conflict and looting pose a threat to cultural property; but simultaneously, art trafficking and the politics of cultural property create opportunities amidst risks in developed “collecting nations” and emerging “source nations”.This is the first book in the literature that touches on the interrelation of the financial value, politics, and security of cultural property and suggests the implications for the power of culture in global affairs. The intersection of these issues forms the basis for a new field which this book examines — cultural security. As part of the changing significance of cultural property in foreign relations, Cultural Security assesses corresponding security threats and opportunities for diplomacy.This book will take readers through the concepts and issues surrounding cultural property, cultural currency and cultural power, leaving readers with invaluable insights on the political economy of cultural property and the resulting source of “alternative power” in global affairs.

Presenting a frightening fringe of the Underground where art & crime combined. The artists herein did society's dirty work, and society repaid them accordingly ...