Each funny, fast-paced adventure title in the 'Too Ghoul for School' series is aimed at 8-10 year old boys. St. Sebastian's School in Grimesford is the pits. Can James and his friends get to the bottom of the problem and flush out the ghosts, or will every term at the school be plagued with misery?

The essential backstory to the creation and meaning of one of the most important novels of the twentieth century—and now the twenty-first. Since its publication nearly seventy years ago, George Orwell’s 1984 has been regarded as one of the most influential novels of the modern age. Politicians have testified to its influence on their intellectual identities, rock musicians have made records about it, TV viewers watch a reality show named for it, and a White House spokesperson tells of “alternative facts.” The world we live in is often described as an Orwellian one, awash in inescapable surveillance and invasions of privacy. On Nineteen Eighty-Four dives deep into Orwell’s life to chart his earlier writings and key moments in his youth, such as his years at a boarding school, whose strict and charismatic headmaster shaped the idea of Big Brother. Taylor tells the story of the writing of the book, taking readers to the Scottish island of Jura, where Orwell, newly famous thanks to Animal Farm but coping with personal tragedy and rapidly declining health, struggled to finish 1984. Published during the cold war—a term Orwell coined—Taylor elucidates the environmental influences on the book. Then he examines 1984’s post-publication life, including its role as a tool to understand our language, politics, and government. In a climate where truth, surveillance, censorship, and critical thinking are contentious, Orwell’s work is necessary. Written with resonant and reflective analysis, On Nineteen Eighty-Four is both brilliant and remarkably timely. Praise for On Nineteen Eighty-Four “A lively, engaging, concise biography of a novel.” —Kirkus Reviews “The fascinating origins and complex legacy of this enduring masterwork are chronicled in [this] arresting new book.” —BookPage “Brisk [and] focused. . . . Taylor here covers the highlights, giving both an overview of Orwell’s career and a survey of his greatest literary achievement.” —Wall Street Journal “Taylor is an accomplished literary critic and he illuminates Orwell’s work in the context of his life, elegantly and expertly charting his course from Grub Street to bestsellerdom.” —TheGuardian

The so-called war on terror doesnt let up. Individual freedoms are eroded and human rights violated by all sides. It goes on relentlessly throughout the world and the difference between the good guys and bad guys becomes increasingly blurred. This is the story of three groups of people in different parts of the world who are fundamentally affected by this war. Ordinary people who, through no fault of their own other than expressing an opinion or daring to tell the truth, or merely being in the wrong place, are drawn into the conflict. A middle class family from Vancouver, two poor former academic families in Nicaragua, and a couple of British journalists suffer devastating consequences, their lives destroyed forever. They join up in an effort to bring an end to the conflict, not by fighting fire with fire, but by appealing to reason and attempting to influence citizens by releasing information about whats being done in their name, hoping they will persuade their leaders to seek more rational, humane solutions.

Former CIA analyst Francine Mathews has created “one of the toughest female secret agents we’ve seen in a long time.”* Using her firsthand expertise of international espionage, Mathews offers another brilliantly realized suspense novel so intense, so authentic, it lethally blurs the line between fact and fiction. In Blown, Caroline Carmichael returns in a white-hot tale of terror on the streets of Washington, where one woman must gamble her life to save her country. As thousands of runners line up for the Marine Corps Marathon in Washington, D.C., no one suspects that in a matter of hours the event will become a race between life and death. CIA analyst Caroline Carmichael is about to tender her resignation, when the first reports of a terrorist attack pour in–and she instantly recognizes the hand of an enemy she’s battled for years: the 30 April Organization. The neo-Nazi group is alive and well and operating in the United States, assassinating top officials and abducting a vulnerable child from the front ranks of a state funeral. When Caroline’s husband, Eric, is arrested in Germany as a 30 April operative, Caroline has no choice but to take to the streets–and target the evil herself. Eric has worked as a “legend” for years–a false identity so perfect, the CIA believes he’s dead–and gone deep undercover within the terrorist group Caroline is determined to destroy. Now his cover’s been blown, and Eric’s intimate knowledge of 30 April’s plans makes him a target for both sides: the killers he’s betrayed, and the American government he’s sworn to protect. Torn between a desire to save her husband and her duty to save her country, Caroline is drawn back into a treacherous labyrinth where trusting others is as good as suicide. For the enemy this time wears a familiar face: that of an American patriot, waving his flag alongside his gun. To stem disaster, Caroline has only one choice: to betray everyone in which she believes–or everyone she loves. For an agent without cover–an agent who’s blown–is worse than betrayed: she’s as good as dead. *USA Today

In October 2002, a nation still recovering from the 9/11 attacks found itself under siege once more -- by an unseen, unknown, and seemingly unstoppable enemy. For 23 days, the area around Washington, D.C., was the hunting ground for a pair of serial snipers who struck at random, killing from afar, only to vanish time and time again. With each attack, they raised the stakes, taunting the authorities to try to stop them -- until their luck ran out. Here, from veteran reporter Angie Cannon and the staff of U.S. News & World Report, comes the complete story of one of the most heinous crimes in American history -- a chronicle of the harrowing days in October that took ten innocent lives and wounded three others; the means and methods used by law enforcement -- and their mistakes; the suspects' backgrounds and possible motives; and the fear that gripped a region of five million people and the effect these shocking acts of terror continue to have on American society.

“[Ballingrud's] evocative and strangely beautiful.”—Publishers Weekly (starred review) “Nathan Ballingrud is one of my favorite contemporary authors and any time he’s got a new book out I run to the front of the line. His work is elegant and troublingly, wonderfully disturbing.”—Victor LaValle, award–winning author of The Changeling “Nathan Ballingrud's brilliant fiction brims with imagination, integrity (I do not use that term lightly), and an authentic world-weary dread that bores directly into your heart. With Wounds you'll gladly follow Nathan to Hell and (maybe) back.”—Paul Tremblay, award-winning author of The Cabin at the End of the World and A Head Full of Ghosts “Nathan Ballingrud is one of my favorite short fiction writers.” —Jeff VanderMeer, New York Times bestselling author of Annihilation and Borne “Stretch[es] the boundaries of the genre by employing these grand, horrific worlds. “The Butcher’s Table” reminds me of the first time I read Clive Barker’s “In the Hills, the Cities.” It’s horrifying, but there’s beauty.” —The New York Times “In only two slender collections, Nathan Ballingrud has emerged as one of the field’s most accomplished short story writers.” —The Washington Post “Ballingrud’s work isn’t like any other.”—Cory Doctorow, Boing Boing “One of the most disquieting and memorable short story collections to come out this year.”—The New York Review of Books “Wounds: Six Stories from the Border of Hell is without a doubt one of the best, most accomplished horror collections in recent memory.”—Hellnotes “Wounds will no doubt be remembered as one of the most disquieting and memorable short story collections to come out this year.”—New York Journal of Books “There’s enough nightmare fuel here to inspire weeks of insomnia — all told with an even hand with a penchant for precise storytelling. How else do you chart the furthest reaches of the uncanny?”—Tobias Carroll, Vol. 1 Brooklyn A gripping collection of six stories of terror—including the novella “The Visible Filth,” the basis for the upcoming major motion picture—by Shirley Jackson Award–winning author Nathan Ballingrud, hailed as a major new voice by Jeff VanderMeer, Paul Tremblay, and Carmen Maria Machado—“one of the most heavyweight horror authors out there” (The Verge). In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.