History.

It was a sweltering evening in mid-August, during that unprecedented heat wave which broke Weather Bureau records in 2011. New York City had simmered under a blazing sun for more than three weeks, and all who were able had deserted the city for spots of lesser torridity. But I was one of those unfortunates who could not leave on account of the pressing urgency of business matters and, there being nothing else to do, kept doggedly at my work until it seemed that nerves and body must soon give way under the strain. To-night, as I boarded the pneumatic tube, I dropped into the nearest seat and could not even summon the energy to open my newspaper.For some minutes I sat as in a daze, wishing merely that the journey was over, and that I was on my own front porch out in Rutherford. After awhile I stirred and looked around. Seeing none of my acquaintances in the car, I finally opened the newspaper and was considerably startled by the screaming headlines that confronted me from its usually conservative first page: SECOND COAST TRANSPORTPLANE LOST!Disaster Like First in Air-Level Six!NO wonder the newsboys had been crying an extra on Broadway! I had given no heed to the import of their shoutings, but this was real news and well worthy of an extra edition. Since the mysterious loss of the SP-61, only four days previously, the facilities of the several air transportation systems were seriously handicapped on account of the shaken confidence of the general public. It was not surprising that there was widespread reluctance at trusting human lives and valuable merchandise to the mercies of the inexplicable power which had apparently wiped out of existence the SF-61, together with its twenty-eight passengers and the consignment of one-half million dollars in gold. And now the NY-18 had gone the way of the other!Details were meager. Both ships had failed to reply to the regular ten-minute radio calls from headquarters and had not since been seen or heard from. In both cases the last call had been answered when the ship was proceeding at full speed on its regular course in air-level six. The SF-61 last reported from a position over Mora in New Mexico, and four days of intensive search by thousands of planes had failed to locate ship or passengers. To-day, in the early hours of the morning, the NY-18 reported over Colorado Springs, on the northern route, and then, like the SF-61, dropped out of existence insofar as any attempts at communicating with or locating her were concerned. She, too, carried a heavy consignment of specie, though only eleven passengers had risked the westward journey.

The macabre world of monsters, killers on the loose and revenge from beyond the grave existed not only in the movies, but also on the radio before television's dominance in American homes. One of many distinct genres born of early broadcasting, terror-inspiring radio thrilled millions. Nearly 80 such programs, many of enduring sophistication, aired every week in the late 1940s. This first full-length study of golden age horror radio focuses on six representative programs, starting with The Witch's Tale in 1931 and ending with The Mysterious Traveler in 1952. Each chapter is a critically and historically informed study of one series. The book ends with a look at the demise of horror radio and its enduring influence. Photographs are included.

Presenting a global history of aerial bombardment, this book shows how certain European powers initiated aerial bombardment of civilians after World War I, and how it was an instrument of choice in World War II. Beau Grosscup shows that such methods, used initially as a means of terrorizing native populations in Africa and the Middle East, have become the primary form of terrorism in more recent decades. While such 'strategic terror' is not classed as 'terrorism' in the West, this reflects an unwillingness to confront the human costs and immorality of aerial bombardment. Grosscup argues that if terrorism is to be diminished, the role of aerial bombing in sustaining global violence must be recognized.

Flying on Northwest Airlines in mid-2004, journalist and writer Jacobsen (WomensWallStreet.com) decided that a group of Middle Eastern men were acting suspiciously, apparently because the men were talking to each other, were using the bathroom too much, and because of the "cold, defiant look" she reports she got from one with whom she had earlier "exchanged friendly words." When she and her husband shared her concerns with a flight attendant, she writes, she was told that Federal Air Marshals were on the plane and that they were on top of the situation. Although she was later told by investigators that the men were in fact 14 Syrian musicians backing up a well-known Middle Eastern singer (the "Syrian Wayne Newton"), Jacobsen remained convinced that the men were part of a terrorist plot conducting "probes" of American aviation. She wrote up her suspicions for an article that caused a brief Internet sensation: it was publicized by such right-wing writers and proponents of racial profiling as Michelle Malkin and generally greeted with rolling eyes and chortles by those more on the center and left. She has since parlayed the original article into a continuing series on WomensWallStreet.com, much of which has now been distilled into this book, which contains the original article, descriptions of her testimony before Congress, an account of her (not particularly thorough) "investigation" into the Syrian musicians, and a condemnation of government failure to address the issue. Annotation :2006 Book News, Inc., Portland, OR (booknews.com).