These essays broaden the debate on the nature of time. They provide an outline to the debate, presenting rival theories which demonstrate that such questions are intimately connected with issues in other fields of philosophy.

Original essays by philosophers of language and philosophers of time exploring the semantics and metaphysics of tense.

According to Peter Ludlow, there is a very close relation between the structure of natural language and that of reality, and one can gain insights into long-standing metaphysical questions by studying the semantics of natural language. In this book Ludlow uses the metaphysics of time as a case study and focuses on the dispute between A-theorists and B-theorists about the nature of time. According to B-theorists, there is no genuine change, but a permanent sequence of events ordered by an earlier-than/later-than relation. According to the version of the A-theory adopted by Ludlow (a position sometimes called "presentism"), there are no past or future events or times; what makes something past or future is how the world stands right now. Ludlow argues that each metaphysical picture is tied to a particular semantical theory of tense and that the dispute can be adjudicated on semantical grounds. A presentism-compatible semantics, he claims, is superior to a B-theory semantics in a number of respects, including its abilities to handle the indexical nature of temporal discourse and to account for facts about language acquisition. Along the way, Ludlow develops a conception of "E-type" temporal anaphora that can account for both temporal anaphora and complex tenses without reference to past and future events. His view has philosophical consequences for theories of logic, self-knowledge, and memory. As for linguistic consequences, Ludlow suggests that the very idea of grammatical tense may have to be dispensed with and replaced with some combination of aspect, modality, and evidentiality.

Michael Tooley presents a major new philosophical study of time and its relation to causation. The nature of time has always been one of the most fascinating and perplexing problems of philosophy; it has in recent years become the focus of vigorous debate between advocates of rival theories.The traditional, `tensed' accounts of time which hold that time has a direction and that the flow of time is part of the nature of the universe have been challenged by `tenseless' accounts of time, according to which past, present, and future are merely subjective features of experience, rather thanobjective features of events. Time, Tense and Causation offers a new approach, in many ways intermediate between these two rivals. Tooley shares with tensed approaches the views that the universe if dynamic, and that the past and present are real while the future is not; but he rejects the viewthat this points to the existence of irreducible tensed facts. Tooley's approach accounts for time in terms of its relation to causation; he argues that the direction of time is based upon the direction of causation, and that the key to understanding the dynamic nature of the universe is tounderstand the nature of causation. He analyses tensed concepts, and discusses semantic issues about truth and time, Finally, addressing the formidable difficulties posed for tensed accounts of time by the Special Theory of Relativity, he suggests that a modified version of the theory, compatiblewith the account of time in this book, is to be preferred to the standard version. Time, Tense, and Causation is rich in sophisticated and stimulating discussions of many of the deepest problems of metaphysics. It will be essentail reading for anyone specialising in this area of philosophy.

In the early 1800s, Rossini’s operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular return to operatic stages worldwide, but this recent fame has not been accompanied by a comparable critical reevaluation. Emanuele Senici’s new book provides a fresh look at the motives behind the Rossinian furore and its aftermath by examining the composer’s works in the historical context in which they were conceived, performed, seen, heard, and discussed. Situating the operas firmly within the social practices, cultural formations, ideological currents, and political events of early nineteenth-century Italy, Senici reveals Rossini’s dramaturgy as a radically new and specifically Italian reaction to the epoch-making changes witnessed in Europe at the time. The first book-length study of Rossini’s Italian operas to appear in English, Music in the Present Tense exposes new ways to explore nineteenth-century music and addresses crucial issues in the history of modernity, such as trauma, repetition, and the healing power of theatricality.

How do humans acquire, at a very early age and from fragmentary and haphazard data, the complex patterns of their native language? This is the logical problem of language acquisition, and it is the question that directs the search for an innate universal grammar. As Time Goes By extends the search by proposing a theory of natural-language tense that will be responsive to the problem of language acquisition. The clearly written discussion proceeds step-by-step from simple observations and principles to far-reaching conclusions involving complex data carefully selected and persuasively presented. Throughout, Hornstein focuses on the logical problem of language acquisition, highlighting the importance of explanatory adequacy and the role of syntactic representations in determining intricate properties of semantic interpretation.

This is a revised and expanded edition of a seminal work in the logic and philosophy of time, originally published in 1968. Arthur N. Prior (1914-1969) was the founding father of temporal logic, and his book offers an excellent introduction to the fundamental questions in the field. Several important papers have been added to the original selection, as well as a comprehensive bibliography of Prior's work and an illuminating interview with his widow, Mary Prior. In addition, the Polish logic which made Prior's writings difficult for many readers has been replaced by standard logical notation. This new edition will secure the classic status of the book.