Part of a four-volume series, "The Grammar of the English Verb Phrase", this book aims to provide a grammar of tense which can be used both as an advanced reference grammar (for example by MA-level or postgraduate students of English or linguistics) and as a scientific study which can act as a basis for and stimulus to further research.

Bernard Comrie introduces readers to the range of variation found in tense systems across the languages of the world.

The Grammar of the English Tense System forms the first volume of a four-volume set, The Grammar of the English Verb Phrase. The other volumes, to appear over the next few years, will deal with mood and modality, aspect and voice. The book aims to provide a grammar of tense which can be used both as an advanced reference grammar (for example by MA-level or postgraduate students of English or linguistics) and as a scientific study which can act as a basis for and stimulus to further research. It provides not only a wealth of data but also a unique framework for the study of the English tense system, which achieves great predictive and explanatory power on the basis of a limited number of relatively simple rules. The framework provided allows for an analysis of the semantics of individual tenses which reflects the role of tenses not only in locating situations in time relative to speech time but also in relating situations in time relative to one another to form temporally coherent discourse. Attention is paid to the relations between tenses. On the one hand, we can identify sets of tenses linked to particular temporal areas such as the past or the future. These sets of tenses provide for the expression of a system of temporal relations in a stretch of discourse in which all the situations are located within the same temporal area. On the other hand, there are many contexts in which speakers might in theory choose between two or more tenses to locate a situation (e.g., when we choose between the past tense and the present perfect to locate a situation before speech time), and the book examines the difference that a choice of one or the other tense may make within a discourse context. The book moves from a detailed exploration of the meaning and use of individual tenses to a thorough analysis of the way in which tenses can be seen to function together as sets, and finally to a detailed examination of tenses in, and tenses interacting with, temporal adverbials. Original data is used frequently throughout the book to illustrate the theory discussed.

Literary Nonfiction. Lyric Essay. Prompted by a sequence of discouraging internet encounters, Felicity Fenton attempts to free herself from the tendrils of an online world we know, but struggle to look away from. She evaluates the endless distractions of being tethered to her device and all that comes with it: email, spam, texting, taking pictures, and social media (aka "the walls"). In lyrical prose that swerves into dream-like mirage, hilarious thoughts, social observations, and unwavering sadness, USER NOT FOUND is a powerful essay that is all too relatable.

Quickly discover the many uses of the English tenses. How do English speakers use two tenses to mean the same thing? Why do the rules not always apply? This bestselling grammar guide reveals all. Exploring the usage patterns of the 12 key tenses of the English language, this book covers all the rules and patterns for the past, present and future in simple, continuous and perfect forms. As well as seeing how to build the tenses, you'll learn how English speakers really use them. The English Tenses: Practical Grammar Guide is ideal as either an accompaniment to core texts or as a full self-study guide. It introduces the reader to flexible uses of the English tenses, with simple, easy-to-follow explanations, colourful examples and enlightening comparisons. To continue your journey towards mastering English grammar, get The English Tenses now.

A psychologist confronts our pervasive misunderstanding of anxiety and presents a powerful new framework for reimagining and reclaiming the confounding emotion as the advantage it evolved to be. We taught people that anxiety is dangerous and damaging, and that the solution to its pain is to eradicate it like we do any disease—prevent it, avoid it, and stamp it out at all costs. Yet cutting-edge therapies, hundreds of self-help books, and a panoply of medications have failed to keep debilitating anxiety at bay. A third of us will struggle with anxiety disorders in our lifetime and rates in children and adults continue to skyrocket. That’s because the anxiety-as-disease story is false—and it’s harming us. In this radical reinterpretation, Dr. Tracy Dennis-Tiwary argues that anxiety is an evolved advantage that protects us and strengthens our creative and productive powers. Although it’s related to stress and fear, it’s uniquely valuable—allowing us to imagine the uncertain future and compelling us to make that future better. That’s why anxiety is inextricably linked to hope. By distilling the latest research in psychology and neuroscience, including her own, combining it with real-world stories and personal narrative, Dennis-Tiwary shows how we can acknowledge the discomfort of anxiety and see it as a tool, rather than something to be feared and reviled. Detailing the terrible cost of our misunderstanding of anxiety, while celebrating the lives of people who harness it to their advantage, she argues that we can—and must—learn to be anxious in the right way. Future Tense blazes the way for a paradigm shift in how we relate to and understand anxiety in our day-to-day lives—a fresh set of beliefs and insights that allow us to explore and leverage even very distressing anxiety rather than to be overwhelmed by it. Through this new prism of thinking, even anxiety disorders can be alleviated. Achieving a new mindset will not fix anxiety itself—because the emotion of anxiety is not broken; the way we cope with it is. By challenging our long-held assumptions about anxiety, this book provides a concrete framework for how to reclaim it for what it has always been—a gift rather than a curse, and a source of inner strength, joy, and ingenuity.

In the years between the world wars, French intellectuals, politicians, and military leaders came to see certain encounters-between human and machine, organic and artificial, national and international culture-as premonitions of a future that was alternately unsettling and utopian. Skyscrapers, airplanes, and gas masks were seen as traces in the present of a future world, its technologies, and its possible transformations. In Future Tense, Roxanne Panchasi illuminates both the anxieties and the hopes of a period when many French people-traumatized by what their country had already suffered-seemed determined to anticipate and shape the future.Future Tense, which features many compelling illustrations, depicts experts proposing the prosthetic enhancement of the nation's bodies and homes; architects discussing whether skyscrapers should be banned from Paris; military strategists creating a massive fortification network, the Maginot Line; and French delegates to the League of Nations declaring their opposition to the artificial international language Esperanto.Drawing on a wide range of sources, Panchasi explores representations of the body, the city, and territorial security, as well as changing understandings of a French civilization many believed to be threatened by Americanization. Panchasi makes clear that memories of the past-and even nostalgia for what might be lost in the future-were crucial features of the culture of anticipation that emerged in the interwar period.