This is a study of industrial unrest in the cotton industry at a time when the economy was on the threshold of mid-Victorian prosperity, and when Chartism was still much more than a memory. The town of Preston was the crucial battlefield, and here the masters and men fought out a bitter trial of strength. The strike of 1853-54 closed the Preston cotton industry for seven months, and disrupted production in many other towns in Lancashire. Against the implacable opposition of the masters, the strikers toured the country to organize support, and raised £100,000 in subscriptions from their fellow operatives. The dispute featured prominently in the national and provincial press, and the weavers' delegates, notably George Cowell and Mortimer Grimshaw, became celebrities overnight. After five months, the employers brought in blackleg labour, and when the detested `knobsticks' failed to break the strike they had the operatives' leaders arrested. These moves did not deter the cotton workers, who were forced back to work only when their financial reserves were exhausted. Their campaign ended defiantly, as it had begun, with cries of `Ten Per Cent still, and no surrender'. This book is their story.

Bill Morgan had everything—or at least he did until, as chair of the board of Travis College of Medicine, he severed a seventy-year relationship between the College and its principle teaching hospital and touched off a blood feud between them. He and Dean Dan Maffit provoke a struggle with the hospital's board chair, Jimmie Rutherford, and its CEO and ex-Israeli operative, Sandy Wechsler, in which the two institutions vie for prestige and dominance and for the physicians who serve them. We follow Morgan's fate in the ensuing conflict as his ambitions bring him face to face with his inner demons and insecurities. In the wake of the turmoil the lives of physicians, administrators and board members spin out of control. This novel of medical politics asks us to consider how not-for-profit institutions make decisions and how these decisions unmoor people's lives in unpredictable ways and run the risk of violating the public trust.

No Surrender! No Retreat! examines the careers of fifteen pioneer performers and their triumphs over herculean obstacles. It is a look back over the 20th century and documents personal histories of staggering achievement in spite of institutional racism, gender oppression, and classism. Twenty-four years in the making, No Surrender! No Retreat! is an indispensable work on African Americans in the performing arts, examining well-known performers, such as James Earl Jones, Morgan Freeman, and Pearl Bailey. Rare archival material and a number of personal interviews enrich this tome. Glenda E. Gill s work is a moving and sometimes tragic account of the lives and careers of some of America s most outstanding African American pioneers in theater.

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