Murder, Mayhem, And Milestones... You've read about them, heard about them, and may even have watched some of them unfold in your own living room. Now, relive the most notorious legal cases in U.S. history. Great American Trials captures the drama of 201 of the most famous-and infamous-courtroom battles, including * The Boston Massacre Trials (1770) * The Lizzie Borden Trial (1893) * The Scottsboro Trials (1931) * Brown v. Board of Education (1954) * The Patty Hearst Trial (1976) * The Mapplethorpe Obscenity Trial (1990) * The William Kennedy Smith Trial (1991) * The Rodney King Civil Rights Trial (1993) Nearly 150 photographs and illustrations provide the backdrop for these exciting-and emotionally charged-real-life dramas.

Embedded in each of the narratives is an analysis of the use by prosecutors and defense attorneys of trial advocacy techniques (involving discovery, pre-trial motions, jury selection, direct testimony, cross-examination, the introduction of forensic exhibits, and summations) to craft compelling stories about what happened. Also assess the impact of cultural, social, and political values on the proceedings and the outcomes.

Great American Trials covers 378 historically and legally significant or notorious courtroom battles.

In every decade of the twentieth century, there was one sensational murder trial that riveted public attention and at the time was called "the trial of the century." This book tells the story of each murder case and the dramatic trial—and media coverage—that followed. Starting with the murder of famed architect Stanford White in 1906 and ending with the O.J. Simpson trial of 1994, the authors recount ten compelling tales spanning the century. Each is a story of celebrity and sex, prejudice and heartbreak, and all reveal how often the arc of American justice is pushed out of its trajectory by an insatiable media driven to sell copy. The most noteworthy cases are here--including the Lindbergh baby kidnapping, the Sam Sheppard murder trial ("The Fugitive"), the "Helter Skelter" murders of Charles Manson, and the O.J. Simpson murder trial. But some cases that today are lesser known also provide fascinating glimpses into the tenor of the time: the media sensation created by yellow journalist William Randolph Hearst around the murder trial of 1920s movie star Roscoe "Fatty" Arbuckle; the murder of the Scarsdale Diet guru by an elite prep-school headmistress in the 1980s; and more. The authors conclude with an epilogue on the infamous Casey Anthony (“tot mom”)trial, showing that the twenty-first century is as prone to sensationalism as the last century. This is a fascinating history of true crime, justice gone awry, and the media often at its worst.

As Chiasson and his contributors illustrate, trials are media events that can have long-reaching significance. They can, and have, changed the way people think, how institutions function, and have shaped public opinions. While this collection on ten trials is about withcraft, slavery, religion, and radicalism, it is, in many ways, the story of America. Trials are the stuff of news. Those rare moments when justice, or a reasonable facsimile, is meted out. And what offers up more high drama, or melodrama, than a highly publicized trial? Most news events enjoy short life spans. They happen; they are reported; they are quickly forgotten. As Chiasson and his contributors make clear, a trial often is a lingering, living thing that builds in tension. It is, every once in a long while, a modern Shakespearean drama with a twist: The audience becomes members of the cast because, every once in a long while, society finds itself the defendant. Trials can have lasting importance beyond how the public perceives them. A trial can have long-reaching significance if it changes the way people think, or how institutions function, or shapes public opinion. Ten such American trials covering a span of 307 years are covered here. In each, the sociological underpinnings of events often has greater significance than either the crime or the trial. The ten trials included are the Salem witch trials, the Amistad trial, the Sioux Indian Uprising trials, the Ed Johnson/Sheriff Shipp trial, the Big Bill Haywood trial, the Ossian Sweet trial, the Clay Shaw trial, the Manuel Noriega trial, and the Matthew Shepard trial. While the book is about ten crimes, the subsequent trials, and the media coverage of each, it is also a book about witchcraft, about religion, slavery, and radicalism. It paints portraits of a racist America, a capitalistic America, an anarchist America. It relates compelling tales of compassion, greed, stupidity, and hate beginning in 17th-century colonial times and ending in present-day America. In many ways, it is the story of America.

"Aiding in helping young lawyers develop the art of trial advocacy"--

In the years between the end of World War II and the mid-1950s, the popular culture of today was invented in the pulpy, boldly illustrated pages of comic books. But no sooner had comics emerged than they were beaten down by mass bonfires, congressional hearings, and a McCarthyish panic over their unmonitored and uncensored content. Esteemed critic David Hajdu vividly evokes the rise, fall, and rise again of comics in this engrossing history. "Marvelous . . . a staggeringly well-reported account of the men and women who created the comic book, and the backlash of the 1950s that nearly destroyed it....Hajdu’s important book dramatizes an early, long-forgotten skirmish in the culture wars that, half a century later, continues to roil."--Jennifer Reese,Entertainment Weekly(Grade: A-) "Incisive and entertaining . . . This book tells an amazing story, with thrills and chills more extreme than the workings of a comic book’s imagination."--Janet Maslin,The New York Times "A well-written, detailed book . . . Hajdu’s research is impressive."--Bob Minzesheimer,USA Today "Crammed with interviews and original research, Hajdu’s book is a sprawling cultural history of comic books."--Matthew Price,Newsday "To those who think rock 'n' roll created the postwar generation gap, David Hajdu says: Think again. Every page ofThe Ten-Cent Plagueevinces [Hajdu’s] zest for the 'aesthetic lawlessness' of comic books and his sympathetic respect for the people who made them. Comic books have grown up, but Hajdu’s affectionate portrait of their rowdy adolescence will make readers hope they never lose their impudent edge."--Wendy Smith, Chicago Tribune "A vivid and engaging book."--Louis Menand,The New Yorker "David Hajdu, who perfectly detailed the Dylan-era Greenwhich Village scene in Positively 4th Street, does the same for the birth and near death (McCarthyism!) of comic books inThe Ten-Cent Plague." --GQ "Sharp . . . lively . . . entertaining and erudite . . . David Hajdu offers captivating insights into America’s early bluestocking-versus-blue-collar culture wars, and the later tensions between wary parents and the first generation of kids with buying power to mold mass entertainment."--R. C. Baker,The Village Voice "Hajdu doggedly documents a long national saga of comic creators testing the limits of content while facing down an ever-changing bonfire brigade. That brigade was made up, at varying times, of politicians, lawmen, preachers, medical minds, and academics. Sometimes, their regulatory bids recalled the Hays Code; at others, it was a bottled-up version of McCarthyism. Most of all, the hysteria over comics foreshadowed the looming rock 'n' roll era."--Geoff Boucher, Los Angeles Times "A compelling story of the pride, prejudice, and paranoia that marred the reception of mass entertainment in the first half of the century."--Michael Saler,The Times Literary Supplement(London) David Hajdu is the author ofLush Life: A Biography of Billy StrayhornandPositively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña and Richard Fariña.