When a gentleman is restless and bored with the careless pleasures of London society, he needs to discover a new diversion, and if that diversion is a beautiful woman, so much the better. Temptation Jonas Tallent, who has masterfully taken the reins of his family's estate, never expected a delectable morsel like Miss Emily Beauregard to step into his library, but he certainly isn't about to hire her as manager for the village inn. A lady as tempting as Emily belongs in a ballroom, or a bedroom—preferably his. Surrender Emily herself hadn't expected her current circumstances, but she has her reasons and doesn't plan to share them, even with someone as seductive as Jonas. Yet he can be so devilishly persuasive. But a villain knows her secret, and soon danger threatens Em, her family, and the powerful love she and Jonas have found in each other's arms.

SOUND OF THE CROWD: A DISCOGRAPHY OF THE '80s is the ultimate record collector's guide to the 1980s. In the era of multi-formatting, picture discs, coloured vinyl, multiple remixes, funny shaped records and tiny CDs you could lose down the back of the sofa, this book lists every format of every single, EP and album released in the UK in the 1980s by over 140 of the decade's biggest acts, from ABBA to Paul Young. This fourth edition has been fully revised and expanded to include even more acts than ever before, with additional sections to cover Band Aid-style charity congregations and compilation albums from the early '80s K-Tel efforts through to the Now That's What I Call Music series and its competitors. Compiled by Steve Binnie, editor of the '80s music website Sound of the Crowd and writer, producer and co-host of the unconventional '80s chart show Off The Chart, broadcast weekly on Mad Wasp Radio.

"The records that sold a million"--Cover.

This work contains 3,500 profiled American, British and important foreign films, complete with credits, synopses, and anecdotal material, plus an addition 10,000 entries with director and actor credits.

Her young life changed in an instant. Now she shares her story with the child she gave away. Adopted at birth, Marylee’s parents told her she was a “chosen child.” She tried her hardest to make them proud, but her parents’ divorce sent her into the comforting arms of a handsome Catholic boy. Convinced that he was her Romeo and she a modern-day Juliet, she surrendered to passion. Unfortunately, it was 1961. Pregnant girls were sent away, and their babies given up for adoption. Nature vs. nurture: Which plays a greater role in who we become? The family we were raised in, or the parents we never knew? In telling her adult son the story of his birth, can the narrator find compassion for her own wounded inner child? If you like truthful accounts laced with the passion of youth and the wisdom of age, read Marylee MacDonald’s funny and poignant memoir about how we grow up, grow old, and learn to accept ourselves.