Temples to the Buddha and the Gods analyzes the patronage of diverse image houses built in the transnational Drāviḍa tradition of architecture in Sri Lanka—an architectural tradition that has been adopted across the Indian Ocean, from the premodern to the contemporary. Although the Drāviḍa tradition is generally associated with Hindu temple architecture, in Sri Lanka it was deployed to build temples to the Buddha as well as to Hindu and Buddhist deities. Framed along ethno-religious binaries, it is seen as “foreign” or “provincial” in previous studies of Sri Lanka’s art histories. In contrast, this book argues that temples constructed in the Drāviḍa architectural tradition in the medieval and the early modern periods in Sri Lanka should be understood as part of the larger transnational architectural tradition. Sujatha Arundathi Meegama brings together different types of image houses built by various patrons (e.g., monarchs, monks, ministers, and merchants) that were previously considered in isolation and rarely included in the Sri Lankan art historical canon. Examining a range of evidence—architecture, inscriptions, and poetry—and synthesizing disparate scholarship on the religious cultures and the art histories of Sri Lanka, the author illustrates that there was a strong presence of shared architectural traditions, shared patterns of patronage, and shared religious practices among the diverse communities on this island. Generally, scholarship on South Asian architecture focuses on the role of rulers and other secular or religious elites as agents of religious architecture; in addition to these actors, this study highlights the roles of architects who specialized in the Drāviḍa tradition and those who experimented with it in stone, brick, and timber in different time periods. Revealing the centrality of this architectural tradition, Temples to the Buddha and the Gods offers a new perspective that contextualizes the cultural tradition of Sri Lanka and its place in the interconnected world of the Indian Ocean.

The Protocol of the Gods is a pioneering study of the history of relations between Japanese native institutions (Shinto shrines) and imported Buddhist institutions (Buddhist temples). Using the Kasuga Shinto shrine and the Kofukuji Buddhist temple, one of the oldest and largest of the shrine-temple complexes, Allan Grapard characterizes what he calls the combinatory character of pre-modern Japanese religiosity. He argues that Shintoism and Buddhism should not be studied in isolation, as hitherto supposed. Rather, a study of the individual and shared characteristics of their respective origins, evolutions, structures, and practices can serve as a model for understanding the pre-modern Japanese religious experience. Spanning the years from a period before historical records to the forcible separation of the Kasuga-Kofukuji complex by the Meiji government in 1868, Grapard presents a wealth of little-known material. He includes translations of rare texts and provides new, accessible translations of familiar documents.

Buddhism introduced many Hindu Gods and Goddesses to the Japanese. The rulers were the first to be attracted to them. Historical records show that they earnestly believed in the miracles of these divinities promised in the sutras. Many miracle stories started appearing in popular literature as the divinities percolated down to the masses. The resulting naturalisation process in the case of some divinities went to the extent that they became an integral part of the native Shinto pantheon. Their popularity remains unabated even today. The Tantric Buddhist sects also played a vital role in propagating the divinities. They regularly worshipped the divinities in their temples where people thronged in large numbers. Many steps in these ceremonies, for instance, the homa ritual, are very familiar to the present-day Hindus. The monks have also produced a considerable volume of religious literature related to these divinities. Descriptions of many divinities show that they have not changed substantially over centuries. A study of these writings also shows that a large volume of Hindu myths and legends related to these deities were transmitted to Japan. These writings are also a testimony to the way the ancestors of the present-day Hindus thought about these deities, say, around the eighth or ninth century of the Christian era.

The Buddha's teachings center around two basic principles. One is the Four Noble Truths, in which the Buddha diagnoses the problem of suffering and indicates the treatment necessary to remedy this problem. The other is the Noble Eightfold Path, the practical discipline he prescribes to uproot and eliminate the deep underlying causes of suffering. The present book offers, in simple and clear language, a concise yet thorough explanation of the Eightfold Path. Basing himself solidly upon the Buddha's own words, the author examines each factor of the path to determine exactly what it implies in the way of practical training. Finally, in the concluding chapter, he shows how all eight factors of the path function in unison to bring about the realization of the Buddhist goal: enlightenment and liberation.

When Christian Zen was first published in the early 1970's, it was reviewed enthusiastically in many parts of the world. A subsequent edition added new material from the author's experience. This latest edition, from Fordham University Press, includes a new Preface by the author and a letter to the author from the Christian mystic Thomas Merton, written shortly before Merton's untimely death. William Johnston presents a study of Zen meditation in the light of Christian mysticism.

Written by John R. W. Stott, a Christian leader known worldwide for addressing the hearts and minds of contemporary men and women, this updated booklet describes the fundamental human problem, outlines the Christian answer to it and shows readers how to respond to God's truth.

Written by and for Asian Americans, this study guide helps you discover and embrace Asian identity and learn to bridge the conflicting values of parents, culture and faith. Through accounts of humorous, frustrating and heartbreaking personal experiences, the authors offer support, encouragement and ideas for living out the Christian faith between two cultures.