From a rare insider's point of view, Unveiling Grace looks at how Latter-day Saints are "wooing our country" with their religion, lifestyle, and culture. It is also a gripping story of how an entire family, deeply enmeshed in Mormonism, found their way out and what they can tell others about their lives as faithful Mormons.

After World War II, America’s religious denominations spent billions on church architecture as they spread into the suburbs. In this richly illustrated history of midcentury modern churches in the Midwest, Gretchen Buggeln shows how architects and suburban congregations joined forces to work out a vision of how modernist churches might help reinvigorate Protestant worship and community. The result is a fascinating new perspective on postwar architecture, religion, and society. Drawing on the architectural record, church archives, and oral histories, The Suburban Church focuses on collaborations between architects Edward D. Dart, Edward A. Sövik, Charles E. Stade, and seventy-five congregations. By telling the stories behind their modernist churches, the book describes how the buildings both reflected and shaped developments in postwar religion—its ecumenism, optimism, and liturgical innovation, as well as its fears about staying relevant during a time of vast cultural, social, and demographic change. While many scholars have characterized these congregations as “country club” churches, The Suburban Church argues that most were earnest, well-intentioned religious communities caught between the desire to serve God and the demands of a suburban milieu in which serving middle-class families required most of their material and spiritual resources.

"A large format book of photographs of the art and architecture--temples filled with murals, sculpture, mosaic, and stained glass--built by devoted members of the Alps communal village of Damanhur. Text describes the development of a contemporary utopian society practicing spirituality inclusive of all world cultures"--Provided by publisher.

In Spaces of Enslavement, Andrea C. Mosterman addresses the persistent myth that the colonial Dutch system of slavery was more humane. Investigating practices of enslavement in New Netherland and then in New York, Mosterman shows that these ways of racialized spatial control held much in common with the southern plantation societies. In the 1620s, Dutch colonial settlers brought slavery to the banks of the Hudson River and founded communities from New Amsterdam in the south to Beverwijck near the terminus of the navigable river. When Dutch power in North America collapsed and the colony came under English control in 1664, Dutch descendants continued to rely on enslaved labor. Until 1827, when slavery was abolished in New York State, slavery expanded in the region, with all free New Yorkers benefitting from that servitude. Mosterman describes how the movements of enslaved persons were controlled in homes and in public spaces such as workshops, courts, and churches. She addresses how enslaved people responded to regimes of control by escaping from or modifying these spaces so as to expand their activities within them. Through a close analysis of homes, churches, and public spaces, Mosterman shows that, over the course of the seventeenth and eighteenth centuries, the region's Dutch communities were engaged in a daily struggle with Black New Yorkers who found ways to claim freedom and resist oppression. Spaces of Enslavement writes a critical and overdue chapter on the place of slavery and resistance in the colony and young state of New York.

New York City epitomizes modernity. Its skyscrapers and neon nightlife, together with its inner-city ghettoes, symbolize all the excitements and tribulations of contemporary urban living. The city is world-famous, a magnet for friends and enemies alike, a fact reinforced by the tragic events of September 2001. But the city's powerful contemporary presence is also built upon a dramatic history. Settled by Dutch traders, seized at gunpoint by an English fleet, its development into a mega-city reveals a story as astounding as any in American history. Home to generations of migrants, an international center of finance and fashion, New York is a world city both entrepreneurial and self-promoting.