Praise for Tell Me, Will... Fans of NBC's Hannibal have applauded the show for its creative personification of the cannibal that chew his way into core cultural cannon. Mads Mikkelsen's flourishes, on top of grandiose statements, created a characteristic, elaborate cadence that fans have tried to emulate in fanfiction, cosplay, and other forms of transformative art and experiences. Tell Me, Will...is a collection of the mundane and silly, the potential topics of conversation and musings that, while mundane, show that even the most ordinary of conversations nonetheless become hilarious when rephrased according to one simple principle: "how would Hannibal say this?"

TELL ME THE NAMES OF YOUR FRIENDS... is the story of Lee Sturgeon Day's year without a voice told through letters she exchanged with friends. Her previous book, A SLICE OF LIFE describes healing cancer through anthroposophic medicine and therapies 20 years ago. Praise for A SLICE OF LIFE. "As with all works of true imagination, we are taken into something universal...through this telling, we are invited to see a new vision - spiritual life is no longer to be found in the secluded monastic life, nor the temple, nor the church, but through the way in which we take up our deepest afflictions." Dr. Robert Sardello, author and director of the School of Spiritual Psychology. "An inspiration to cancer patients and enjoyable reading for anyone with or without cancer. Lee Sturgeon Day engages the big questions and life's trivial absurdities with equal vigor, captivating the reader with rare courage, wisdom and rollicking good humor." Lois Robbins, author of Waking Up in the Age of Creativity. In TELL ME THE NAMES OF YOUR FRIENDS, readers are treated to the courage, wisdom and compassion of Lee's many friends.

“Robison has a poet's eye for the unconscious surrealism of commercial America.” —The New York Times Book Review Tell Me reflects the early brilliance as well as the fulfilled promise of Mary Robison's literary career. In these stories—most of which appeared in The New Yorker throughout the eighties—we enter her sly world of plotters, absconders, ponderers, and pontificators. Robison's characters have chips on their shoulders; they talk back to us in language that is edgy and nervy; they say “all right” and “okay” often, not because they consent, but because nothing counts. Still, there are small victories here, small only because, as Robison precisely documents, larger victories are impossible. Here then, among others, is “Pretty Ice,” chosen by Richard Ford for The Granta Book of American Short Stories, “Coach,” chosen for Best American Short Stories, “I Get By,” an O. Henry Prize Stories selection, and “Happy Boy, Allen,” a Pushcart Prize Stories selection. These stories—sharp, cool, and astringently funny—confirm Mary Robison's place as one of our most original writers and led Richard Yates to comment, “Robison writes like an avenging angel, and I think she may be a genius.” “Mary Robison's short stories are short, subtle, and substantial... her ironic sense of detail bursts from every sentence.” —Vogue “Word for fucking word, her work demands our attention.” —David Leavitt, The Village Voice

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.

WINNER OF THE FT & McKINSEY BUSINESS BOOK OF THE YEAR AWARD 2021 The instant New York Times bestseller A Financial Times and The Times Book of the Year 'A terrifying exposé' The Times 'Part John le Carré . . . Spellbinding' New Yorker We plug in anything we can to the internet. We can control our entire lives, economy and grid via a remote web control. But over the past decade, as this transformation took place, we never paused to think that we were also creating the world's largest attack surface. And that the same nation that maintains the greatest cyber advantage on earth could also be among its most vulnerable. Filled with spies, hackers, arms dealers and a few unsung heroes, This Is How They Tell Me the World Ends is an astonishing and gripping feat of journalism. Drawing on years of reporting and hundreds of interviews, Nicole Perlroth lifts the curtain on a market in shadow, revealing the urgent threat faced by us all if we cannot bring the global cyber arms race to heel.

Feeling scared and powerless when her father's anger escalates and her parents separate, twelve-year-old Anna spends the summer with her grandmother and decides to make a difference when she sees what seems to be a girl held against her will.

A memoir of reinvention after a stroke at age thirty-three. Christine Hyung-Oak Lee woke up with a headache on the morning of December 31, 2006. By that afternoon, she saw the world—quite literally—upside down. By New Year’s Day, she was unable to form a coherent sentence. And after hours in the ER, days in the hospital, and multiple questions and tests, her doctors informed her that she had had a stroke. For months afterward, Lee outsourced her memories to a journal, taking diligent notes to compensate for the thoughts she could no longer hold on to. It is from these notes that she has constructed this frank and compelling memoir. In a precise and captivating narrative, Lee navigates fearlessly between chronologies, weaving her childhood humiliations and joys together with the story of the early days of her marriage; and then later, in painstaking, painful, and unflinching detail, the account of her stroke and every upset—temporary or permanent—that it caused. Lee illuminates the connection between memory and identity in an honest, meditative, and truly funny manner, utterly devoid of self-pity. And as she recovers, she begins to realize that this unexpected and devastating event has provided a catalyst for coming to terms with her true self—and, in a way, has allowed her to become the person she’s always wanted to be.