This book presents an analysis of television histories across India, China, Taiwan, Singapore, Indonesia, Japan, Hong Kong, the Philippines, Malaysia and Bhutan. It offers a set of standard data on the history of television’s cultural, industrial and political structures in each specific national context, allowing for cross-regional comparative analysis. Each chapter presents a case study on a salient aspect of contemporary television culture of the nation in question, such as analyses of ideology in television content in Japan and Singapore, and transformations of industry structure vis-à-vis state versus market control in China and Taiwan. The book provides a comprehensive overview of TV histories in Asia as well as a survey of current issues and concerns in Asian television cultures and their social and political impact.

This book presents an analysis of television histories across India, China, Taiwan, Singapore, Indonesia, Japan, Hong Kong, the Philippines, Malaysia and Bhutan. It offers a set of standard data on the history of television’s cultural, industrial and political structures in each specific national context, allowing for cross-regional comparative analysis. Each chapter presents a case study on a salient aspect of contemporary television culture of the nation in question, such as analyses of ideology in television content in Japan and Singapore, and transformations of industry structure vis-à-vis state versus market control in China and Taiwan. The book provides a comprehensive overview of TV histories in Asia as well as a survey of current issues and concerns in Asian television cultures and their social and political impact.

The acting profession is increasingly drawing more and more actors of Asian descent. Yet, even with the success of television programs (Martial Law), films (Mulan), and even Broadway plays (Miss Saigon) that include Asian characters, there are still limited roles for these actors. In the past, Asian characters like Charlie Chan and Fu Manchu were played by non-Asian actors in makeup. Many of the roles available for Asians today tend to be stereotypical: kung-fu sidekicks, emasculated or gang-member males, sexually accessible females, comic characters with a poor command of English. Seldom are Asian actors cast in race-neutral roles. Despite these obstacles, many excellent Asian actors continue to seek their places on screen and stage. This analysis of Asian American opportunities and experiences in the acting profession features the narratives of both aspiring and established Asian-American actors, providing a detailed examination of the opportunities, prejudices, and fears they face and the goals they set for themselves. The book covers the insights of both New York and Hollywood based actors, both the well known and the up-and-coming, and includes photographs, bibliography and index.

This book explores the empirical and theoretical significance of understanding television as a dynamic technology, a creative industry, and a vibrant cultural form that is "at large" in South Asia. Bringing together prominent scholars who have shaped television studies in South Asia, as well as emerging scholars who address new topics, this book decisively positions television as a key site in the study of South Asian History and Culture. In doing so, it also positions the study of television in South Asia and the South Asian diaspora as crucial in the rethinking of global television history and opens up new directions for the future of television studies. This volume will be essential reading for scholars and teachers of media and communication studies, media history, anthropology, and sociology, besides being of great interest to policymakers and media professionals. This book was originally published as a special issue of South Asian History and Culture.

"Reading Asian Television Drama offers an informative overview of East Asian television drama and its cultural impact. It examines both the text and context of TV dramas from such countries as Hong Kong, Taiwan, Japan, China and South Korea. Chapters analyse various internationally popular dramas including South Korean 'hallyu' shows like Jewel in the Palace, Winter Sonata and Wedding. Other chapters focu on Asian TV networks within Asia, as well as Asian global cultural exchange and the international consumption of East-Asian television drama. They also provide full and varied coverage of the major issues relating to contemporary East Asian television and its cultural formation within Asia as well as in the West."--The back cover.

Yoga gurus on lifestyle cable channels targeting time-pressured Indian urbanites; Chinese dating shows promoting competitive individualism; Taiwanese domestic makeover formats combining feng shui with life planning advice: Asian TV screens are increasingly home to a wild proliferation of popular factual programs providing lifestyle guidance to viewers. In Telemodernities Tania Lewis, Fran Martin, and Wanning Sun demonstrate how lifestyle-oriented popular factual television illuminates key aspects of late modernities in South and East Asia, offering insights not only into early twenty-first-century media cultures but also into wider developments in the nature of public and private life, identity, citizenship, and social engagement. Drawing on extensive interviews with television industry professionals and audiences across China, India, Taiwan, and Singapore, Telemodernities uses popular lifestyle television as a tool to help us understand emergent forms of identity, sociality, and capitalist modernity in Asia.

In a comparatively short period, the television industry helped to reconstruct not only postwar Japanese popular culture, but also the Japanese social and political landscape. This book offers a history of Japanese television audiences and the popular media culture that television helped to spawn.