Susan Sontag: An Annotated Bibliographycatalogues the works of one of America's most prolific and important 20th century authors. Known for her philosophical writings on American culture, topics left untouched by Sontag's writings are few and far between. This volume is an exhaustive collection that includes her novels, essays, reviews, films and interviews. Each entry is accompanied by an annotated bibliography.

The bible of B-movies is back--and better than ever! From Abby to Zontar, this book covers more than 9,000 amazing movies--from the turn of the century right up to today's Golden Age of Video--all described with Michael Weldon's dry wit. More than 450 rare and wonderful illustrations round out thie treasure trove of cinematic lore--an essential reference for every bad film fan.

This dissertation analyzes the historical process that culminated in the 1972 nationalization of the Iraq Petroleum Company (IPC) -- a consortium that included four of the world's largest and most powerful corporations. I draw on IPC archives, recently declassified U.S. Government documents, and the Arab press to trace the impact of Iraq's 1958 "Free Officers' Revolution" on IPC interests in Iraq. I show that the Revolution set in motion a process of institutional development that resulted in the complete nationalization of the Iraqi oil industry at a relatively early date, and I emphasize the agency of a particular group of Western-trained Iraqi technical experts in producing this outcome. Moreover, I examine U.S and IPC efforts to counter Iraq's radical movements and offer an original interpretation of the relationship between the American government and the international oil industry. I show that the Iraqi challenge to the IPC undermined the stability of an implicit "corporatist bargain" between the U.S. State Department and the major American oil companies, and that the breakdown of this relationship was part of a larger crisis of American hegemony in the early 1970s. In so doing, I reveal powerful underlying factors that continue to drive the historical encounter between the U.S. and the Middle East.

With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.