a tradional SF with cyborgs robots a guy that hunts runaway robots and zombies-farmers.

Tottie is a loving little wooden doll who lives with her family in a shoebox. The doll family is owned by two sisters, Emily and Charlotte, and they are very happy, except for one thing: they long for a proper home. To their delight, their wish comes true when Emily and Charlotte fix up a Victorian dolls' house - just for them. It's perfect. But then a new arrival starts to wreak havoc in the dolls' house. For Marchpane might be a wonderfully beautiful doll, but she is also terribly cruel. And she always gets her own way . . . First published in 1947, Rumer Godden's classic The Dolls' House has been delighting children for years, and this beautiful edition, illustrated by Jane Ray, will delight future generations for years to come.

A warm, uplifting story about a boy, his dog, and the healing power of music marks a first-time collaboration between two former Irish Children’s Laureates, Eoin Colfer and P.J. Lynch. Patrick has been desperate for a dog of his own for as long as he can remember, and this summer, with his father away, he longs for a canine friend more than ever. Meanwhile, in his short doggy life, Oz has suffered at the hands of bad people. Somewhere out there, he believes, is an awesome boy — his boy. And maybe, when they find each other, Oz will learn to bark again. Illustrated in light charcoal by two-time Kate Greenaway Medalist P.J. Lynch, this heartwarming story by Eoin Colfer, internationally best-selling author of the Artemis Fowl series, is certain to enchant.

Foreword by Paula S. Wallace, Stephanie S. Hughley. Text by Laurie Ann Farrell, Deborah Willis.

Riley, an orphan boy living in Victorian London, has achieved his dream of becoming a renowned magician, the Great Savano. He owes much of his success to Chevie, a seventeen-year-old FBI agent who traveled from the future in a time pod and helped him defeat his murderous master, Albert Garrick. But it is difficult for Riley to enjoy his new life, for he has always believed in his heart of hearts that Garrick will someday, somehow, return to seek vengeance. Chevie has assured Riley on numerous occasions that Garrick was sucked into a temporal wormhole, never to emerge. The full nature of the wormhole has never been understood, however, and just as a human body will reject an unsuitable transplant, the wormhole eventually spat him out. By the time Garrick makes it back to Victorian London, he has been planning his revenge on Riley for half a century. But even the best-laid plans can go awry, and when the assassin decides to include Chevie in his retaliation, the three are tossed once more into the wormhole with no idea where—or when—they will end up.

After his last run-in with the fairies, Artemis Fowl's mind was wiped of memories of the world below ground and any goodness grudgingly learned is now gone with the young genius reverting to his criminal lifestyle.