Knighted in 1998 ‘for services to the Town and Country Planning Association’, and in 2003 named by Her Majesty Queen Elizabeth II as a ‘Pioneer in the Life of the Nation’, Peter Hall is internationally renowned for the breadth and depth of his studies and writings on urban and regional planning. For the last 50 years, he has captured and helped to create the ‘planning imagination’. Here the editors have brought together in five themes a series of critical reflections on Peter’s vast and diverse contributions. Those reflections are provided by colleagues familiar with his work. The five parts are devoted to Peter Hall’s breadth of academic work, covering the history of cities and planning, London, spatial planning, connectivity and mobility, and urban globalization. Finally, as a sixth part, the editors have asked Peter Hall himself to reflect on his career and the sources of his imagination. The story this book tells is not one of a singular, totally consistent theoretical and philosophical view elaborated over several decades. Rather it covers a set of views that necessarily admits signs of Peter’s inconsistency and imperfection over the years – the insights and imperfections that inevitably accompany the exercise of a nonetheless remarkably fertile, restless and inspiring planning imagination.

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Geographers: Biobibliographical Studies, Volume 36 focuses on 20th-century Britain and 19th- and 20th-century France. Six essays on individual geographers are complemented by a group article which describes the building of a French school of geography. From Britain, the life of Sir Peter Hall, one of the most distinguished geographers of recent times and a man widely known outside the discipline, is set alongside memoirs of Bill Mead, who made the rich geography of the Nordic countries come alive to geographers and others in the Anglophone world; Michael John Wise and Stanley Henry Beaver, who made their mark through building up the institutions where academic geography was practised and through teaching; and Anita McConnell, whose geographical training shaped her museum curation and studies of the history of science. From France, the individual biography of André Meynier is juxtaposed with group article on the first five professors of geography at Clermont-Ferrand. These intellectual biographies collectively show geography and geographers profoundly affected by wider historical events: the effect of war, particularly the Second World War, and the shaping of post-war society. They show the value of geographical scholarship in elucidating local circumstances and in planning national conditions, and as a basis for local, national, and international friendship.

This book outlines a number of different perspectives on the relationship between science, technology, and innovation in emerging economies. In it, the authors explore the aforementioned relationship as a pillar of economic development, driving growth in emerging economies. Employing a collaborative and interdisciplinary approach, the authors work to determine the main related factors and outcomes of the relationship between science, technology, and innovation, ultimately seeking to guide public policies to enhance the welfare of the population of an emerging economy.

International Exhibitions and Urbanism provides an insightful and comprehensive historical review of international exhibitions in its first half, which is then illustrated with a thorough technical analysis of the Zaragoza 2008 project in its second half.

El libro trata de la creación, desarrollo y perspectivas de áreas de alta tecnología, ciudades científicas y parques tecnológicos, examinando a la vez la renovación industrial de grandes ciudades mundiales sobre la base de la industria de alta tecnología y analiza el proceso conflictivo de formación de nuevos centros de innovación tecnológica.

Does fiction do more than just represent space? Can our experiences with fictional storytelling be in themselves spatial? In Constructing Spain: The Re-imagination of Space and Place in Fiction and Film, Nathan Richardson explores relations between cultural representation and spatial transformation across fifty years of Spanish culture. Beginning in 1953, the year Spanish space was officially reopened to Western thought and capital, and culminating in 2003, the year of Aznar's unpopular involvement of his country in the second Iraq War, Richardson traces in popular and critically acclaimed fiction and film an evolution in Spanish storytelling that, while initially representative in nature, increasingly engages its audience in spatial practices that go beyond mere perception or conception of local material geographies. In original readings of films by Luis Berlanga, Luis Bu uel, Alex de la Iglesia, Alejandro Amen bar, and Julio Medem, and novels by Juan Goytisolo, Antonio Mu oz Molina, and Javier Mar as, Richardson shows this formal evolution as a necessary response to developments, restorations, and transformations of local landscapes that resulted during these years from various human migrations, tourist-invasions, urban development plans, resurgent nationalisms, and finally globalization. As these changes occur, Richardson traces a shift in the works studied from mere representation of spatial change toward actual engagement with shifting physical and social geographies, as they inch ever closer toward the production of an actual spatial experience for their audiences. In the final chapters of this book, Richardson offers in-depth and highly original readings of the storytelling projects of Medem and Mar as in particular, showing how these two artists invite readers to not only reconceive hegemonic notions of space and place, but to practice alternative notions of being-in-place. In these final readings, Constructing Spain, points to the newest developments in contemporary Spanish narrative and film, a rise of new grammars of creation to challenge the ongoing capital-driven creative destruction of globalized Spanish geography.