Technology of the Gods lays out the mind-bending evidence that long-lost civilizations had attained and even exceeded our "modern" level of advancement. Westerners have been taught that humankind has progressed along a straight-line path from the primitive past to the proficient present, but the hard, fast evidence (literally written in stone!) proves that the ancients had technologies we cannot even replicate today.

The Gods and Technology is a careful and original reading of the principal statement of Martin Heidegger's philosophy of technology, the essay Die Frage nach der Technik ("The question concerning technology"). That essay is a rich one, and Richard Rojcewicz's goal is to mine it for the treasures only a close reading of the original German text can bring out. Rojcewicz shows how the issue of technology is situated at the very heart of Heidegger's philosophical enterprise; especially for the late Heidegger, the philosophy of technology is a philosophy of Being, or of the gods. For Heidegger, technology is not applied knowledge, but the most basic knowledge, of which science, for example, is an application. The ultimate goal of this study, and, as Rojcewicz writes, of Heidegger's thought, is practical: to find the appropriate response to the challenges of the modern age, to learn to live in a technological world without falling victim to the thrall of technological things.

Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.

David Hatcher Childress, popular Lost Cities author and star of the History Channel’s long-running show Ancient Aliens, takes us to the mysterious ruins in the mountains of Peru and Bolivia in search of ancient technology and the secrets of megalith building. In his new book, packed with photos and diagrams, Childress examines the amazing stonecutting at Puma Punku, a site neighboring the ancient ruins of Tiwanaku near Lake Titicaca in Bolivia. He looks at whether the so-called “Inca walls”-found in Cuzco and at other sites such as Sacsayhuaman, Ollantaytambo and Machu Picchu-were really made by the Incas. The evidence seems to support the idea that they were actually constructed by a far older culture. Childress examines the megalithic construction and underground chambers of Chavin in the Cordillera Blanca of Peru, possibly the oldest megalithic site in South America. He also speculates on the existence of a sunken city in Lake Titicaca and reveals new evidence that the Sumerians may have arrived in South America over 4,000 years ago. Childress demonstrates that the use of “keystone cuts” with metal clamps poured into them to secure megalithic construction was an advanced technology used all over the world, from the Andes to Egypt, Greece and Southeast Asia. He maintains that only power tools could have made the intricate articulation and drill holes found in extremely hard granite and basalt blocks in Bolivia and Peru, and that the megalith builders had to have had advanced methods for moving and stacking gigantic blocks of stone, some weighing over 100 tons. The incredible high-tech world of South America is illuminated in the informative and breezy style for which Childress has always been known. Chapters in the book include: The Lost World of South America; The Enigma of Ancient Technology; Ancient Technology at Tiwanaku and Puma Punku; The Sumerian Mining Complex at Tiwanaku; Mysteries of Lake Titicaca and the Towers; Ancient Technology in Cuzco; The Megaliths of Ollantaytambo; Did the Incas Build Machu Picchu?; and more!

"The Technology of God is a science fiction metaphysical thriller, based on the real life theory of award-winning physicist Nassim Haramein. This unification theory is rocking the world of science and religion as it offers a complete scientific understanding of both the physical and spiritual expressions of creation. Aleya Annaton, Emissary of Haramein?s Resonance Project Foundation, has masterfully woven the elements of this profound new understanding of our universe into a thrilling romantic adventure. The story is set in a near future America, controlled by an extreme fundamentalist religious faction that has taken over the government. Physicist Dr. Alex Harmon, along with his colleague and lover, the beautiful Sydney Stewart, are seeking a theory that would unlock the secrets of creation? a forbidden subject under the new religious law. Believing the physics of space-time was encoded into the world?s religious traditions, they set out to decipher clues passed down in manuscripts, secret societies, and monuments around the world. When they discover the universe works in ways contrary to mainstream science as well as the prevailing religious doctrine, they are thrust into the crosshairs of the tyrannical leader of the new religious state. As they set out to build a technology to access a mysterious realm they believe underlies all of physical creation, they must negotiate a world of political intrigue, ancient initiation, love, betrayal and contact with Beings from other worlds. What they find at the end of their quest is no less than the answers to the most intriguing questions man has pondered since he first gazed at the stars."--

A unique study of the engineering and tools used to create Egyptian monuments • Presents a stone-by-stone analysis of key Egyptian monuments, including the statues of Ramses II and the tunnels of the Serapeum • Reveals that highly refined tools and mega-machines were used in ancient Egypt From the pyramids in the north to the temples in the south, ancient artisans left their marks all over Egypt, unique marks that reveal craftsmanship we would be hard pressed to duplicate today. Drawing together the results of more than 30 years of research and nine field study journeys to Egypt, Christopher Dunn presents a stunning stone-by-stone analysis of key Egyptian monuments, including the statue of Ramses II at Luxor and the fallen crowns that lay at its feet. His modern-day engineering expertise provides a unique view into the sophisticated technology used to create these famous monuments in prehistoric times. Using modern digital photography, computer-aided design software, and metrology instruments, Dunn exposes the extreme precision of these monuments and the type of advanced manufacturing expertise necessary to produce them. His computer analysis of the statues of Ramses II reveals that the left and right sides of the faces are precise mirror images of each other, and his examination of the mysterious underground tunnels of the Serapeum illuminates the finest examples of precision engineering on the planet. Providing never-before-seen evidence in the form of more than 280 photographs, Dunn’s research shows that while absent from the archaeological record, highly refined tools, techniques, and even mega-machines must have been used in ancient Egypt.

A strikingly original exploration of what it might mean to be authentically human in the age of artificial intelligence, from the author of the critically-acclaimed Interior States. • "At times personal, at times philosophical, with a bracing mixture of openness and skepticism, it speaks thoughtfully and articulately to the most crucial issues awaiting our future." —Phillip Lopate “[A] truly fantastic book.”—Ezra Klein For most of human history the world was a magical and enchanted place ruled by forces beyond our understanding. The rise of science and Descartes's division of mind from world made materialism our ruling paradigm, in the process asking whether our own consciousness—i.e., souls—might be illusions. Now the inexorable rise of technology, with artificial intelligences that surpass our comprehension and control, and the spread of digital metaphors for self-understanding, the core questions of existence—identity, knowledge, the very nature and purpose of life itself—urgently require rethinking. Meghan O'Gieblyn tackles this challenge with philosophical rigor, intellectual reach, essayistic verve, refreshing originality, and an ironic sense of contradiction. She draws deeply and sometimes humorously from her own personal experience as a formerly religious believer still haunted by questions of faith, and she serves as the best possible guide to navigating the territory we are all entering.