From the author of "Kundun" comes a powerful work that reveals the true horrors behind China's "liberation" of Tibet. 16-page insert.

On August 30, 2000, a commercial passenger jet arriving from China touched down at Gimpo International Airport in South Korea. There was nothing unusual about the plane or about the flight. What was miraculous was the seventy-year-old gentleman who walked down the ramp into the waiting arms of his family. That traveler was Mr. Young-Bok Yoo, and this was the end of his fifty-year journey through the darkness of hell into the daylight of freedom. Mr. Yoo was among 60,000 POWs who were never released by North Korea at the end of the Korean War. Unlike most of the others, he survived and he escaped. Today he fights for the repatriation of his fellow POWs who remain behind. Paul T. Kim's translation brings Mr. Yoo's saga to Western readers for the first time. More than a Korean story, it is an inspirational tale of the survival of the human spirit in the face of overwhelming sorrow and injustice. This book was sponsored by Korean War POW Affairs-USA, an NGO that advocates on behalf of Korean POWs and their families. To make additional donations to help POWs like Mr. Yoo, please visit: http://tearsofbloodbook.blogspot.com

They both have secrets. But neither dare to speak of them...Luca feigns personal questions. When he isn't hiding behind the lens of a camera, he assumes a suave Italian façade in order to avoid acknowledging his true ethnicity and jaded past. Luca prefers black and white film because it makes the world seem simple and uncomplicated. Savannah is a small-town southern girl just trying to pick up the pieces of her shattered family after the devastating loss of her older brother, Tommy, a soldier killed on deployment in Afghanistan. With Tommy gone, Savannah floats aimlessly through nursing school, finding herself in places the two of them would frequent just to feel something again. Savannah sees the loss in Luca's eyes. She is drawn to his pain because, maybe for a moment, it lets her forget her own. As frost settles on the south Georgia streets, Luca's past boils over into the present. Perhaps, it is love. Or perhaps, they merely longed for a time and place that never existed.

A striking narrative history of work and the individuals and events that have been responsible for its evolution. Work--a process familiar to almost everyone--has radically changed over the centuries. The author examines early societies, slavery, guilds, trade secrets, religion and unions.

Creide Press is delighted to republish Raven Dane's dark fantasy trilogy known collectively as The Legacy of The Dark Kind. The trilogy is an exciting cross over genre consisting of dark fantasy, alternative history and even a hint of science fiction. From the first novel, Blood Tears, it has gained an enthusiastic following and inspired artwork, music and even tattoos from its readers. It is not a paranormal romance series, the Dark Kind do not sparkle! They are not human or supernatural beings but of a species higher up the food chain than humans. They have no interest in emotional contact with humans which would be considered bestiality to them. Their long life span is a result of their unique biology. Sunlight does not kill them but will permanently blind them. Once much of the known world was ruled by Dark Kind kings and queens, protecting their human subjects from invasions by raiders or barbarian armies. As mankind evolved and multiplied, one by one, the Dark Kind ruled lands were lost, leaving their few survivors to find a way to adapt in the new order of human domination. By the 20th century only one Dark Kind noble exists, Prince Azrar, warlord ruler of Isolann, a remote land ringed by vast black granite mountains in the Upper Balkans. Created to protect his subjects, can Azrar hold back the advances of human society as the 20th century gets closer to his secretive domain? Raven Dane is a UK based author of dark fantasy, award winning steampunk, horror, alternative fiction and science fiction. She has twice been listed as one of the top female writers in horror and is in demand for her horror short stories Creide Press thanks the team at SelfPubBookCovers for the wonderful artwork for the Legacy of the Dark KInd covers.

Blood, Tears, and IV's, a memoir of a combat medic, explores the challenging and emotional experiences of one twenty-four-year-old combat medic serving in Operation Iraqi Freedom with the 173rd Airborne Brigade, based out of Vicenza, Italy. Sergeant Elissa Lonsdale, the author, was sent to Iraq on the Fourth of July, 2003. She knew the situation she was going into would be a difficult one. Based on her journal she kept while she was in Iraq, this book details her most memorable situations. Some are positive, and others were difficult to put into words. With a major part of the Army still deployed and continuing to deploy, Sergeant Lonsdale wanted to share her memories, as they will stick with her always. "You realize when you get back that there is no way to erase bad memories, only ways to try and make sense of them." Sergeant Lonsdale participated in the treatment of combat casualties, including soldiers, civilians and Iraqis. She recounts in this book her many strange date-related events, such as when her convoy was ambushed on her birthday; she lost a fellow medic to a stroke; another soldier and friend was electrocuted doing his job on Christmas Eve; many missions to villages surrounded by Iraqi children; rendering care to the sick and wounded; and the bond she formed with the medics she was deployed with. Sergeant Lonsdale is still serving on active duty in the Army and currently holds a position in an emergency room as a shift leader.

In Holy Tears, Holy Blood, Richard D. E. Burton continues his investigation of Catholic France from Revolution to Liberation. From his focus in Blood in the City on public demonstrations of the cultural power of Catholicism, he now turns to more private rituals, those codes of conduct that shaped the interior lives of French Catholic women and determined their artistic and social presentation. "Here there is rather less blood, and considerably more weeping," Burton says. In portraits of eleven women, including Simone Weil and Sainte Thèrése, he traces the lasting power of particular expressions of suffering and sacrifice. How, Burton asks, does a rapidly modernizing society accommodate the cultural-historical legacy of religious belief, in particular the extreme conservative beliefs of ultramontane Catholicism? Burton pays particular attention to the doctrine of "vicarious suffering," whereby an individual suffers for the redemption of others, and to certain extreme forms of religious experience including stigmatization, self-starvation, visions, and apparitions.