Ogbeyialu was not born like every other person. Sequel, she had no person in this world except Ade and she was the only person in Ade's life. Her birth placed her on the lowest social stratum. She was an evening flower and their peculiar world made Ade give her the nod to run his life. Fate brought Ade to Col. Kalu, one of the Biafran leaders. Circumstances and the meeting conspired and forced him to research on the Nigeria Biafra War for his degree project. Lilly, a head turner with brains, was from a rich and powerful family. Many men with muscles wanted her hand in marriage but she would not look their way. She wanted Ade but he did not want her and did not want to get near her. He had nothing, as a result, was not yet ready for marriage. Lilly's father was dangerous. Ade's background made him weak and vulnerable but her uncle and foster father, Joe Onuma, was a Biafran captain and had a truckload of the war stories. Research apart, Lilly would give Ade what he did not have.

River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.

Space-obsessed 12-year-old Paola Santiago and her two best friends, Emma and Dante, know the rule: Stay away from the river. It's all they've heard since a schoolmate of theirs drowned a year ago. Pao is embarrassed to admit that she has been told to stay away for even longer than that, because her mother is constantly warning her about La Llorona, the wailing ghost woman who wanders the banks of the Gila at night, looking for young people to drag into its murky depths.Hating her mother's humiliating superstitions and knowing that she and her friends would never venture into the water, Pao organizes a meet-up to test out her new telescope near the Gila, since it's the best stargazing spot. But when Emma never arrives and Pao sees a shadowy figure in the reeds, it seems like maybe her mom was right. . . .Pao has always relied on hard science to make sense of the world, but to find her friend she will have to enter the world of her nightmares, which includes unnatural mist, mind-bending monsters, and relentless spirits controlled by a terrifying force that defies both logic and legend.

THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS transports readers to the majestic landscapes and hard Native American lives of the desert Southwest and into the embrace of a way of looking at the world that seems almost like revelation. Born to a storytelling Native mother and a roughneck, song-singing cowboy father, Nasdijj has lived on the jagged-edged margins of American society, yet hardship and isolation have only brought him greater clarity--and a gift for language that is nothing short of breathtaking. Nasdijj tells of his adopted son, Tommy Nothing Fancy, of the young boy's struggle with fetal alcohol syndrome, and of their last fishing trip together. It is a heartbreaking story, written with great power and a diamondlike poetry. But whether Nasdijj is telling us about his son, about the chaotic, alternately harrowing and comical life he led with his own parents, or about the vitality and beauty of Native American culture, his voice is always one of searching honesty, wry humor, and a nearly cosmic compassion. While Nasdijj struggles with his impossible status as someone of two separate cultures, he also remains a contradiction in a larger sense: he cares for those who often shun him, he teaches hope though he often has none for himself, and he comes home to the land he then must leave. THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS is the memoir of a man who has survived a hard life with grace, who has taken the past experience of pain and transformed it into a determination to care for the most vulnerable among us, and who has found an almost unspeakable beauty where others would find only sadness. This is a book that will touch your soul.

"When God Was Flesh and Wild is dramatic and whimsical storytelling for adults at the service of faith and justice. Artist, storyteller, and theologian Bob Haverluck offers a rollicking set of stories--together with provocative cartoons and original music--that provide poetic takes on Daniel's dream interpretation, Jesus's baptism, the events of Holy Week, and the apostle John on his island prison. The result is a more imaginative way to engage issues of conflict against the earth and her creatures in the light of God's abiding providence and the witness of Scripture. Humorous, harsh, and persistently hopeful, When God Was Flesh and Wild will be an unforgettable reading experience for any person of faith"--

This bundle contains River’s Song and River’s Call, PLUS a bonus chapter from River’s End. River’s Song Following her mother’s funeral, and on the verge of her own midlife crisis, widow Anna Larson returns to the home of her youth to sort out her parents’ belongings, as well as her own turbulent life. For the first time since childhood, Anna embraces her native heritage, despite the disdain of her vicious mother-in-law. By transforming her old family home on the banks of the Siuslaw River into The Inn at Shining Waters, Anna hopes to create a place of healing—a place where guests experience peace, grace, and new beginnings. Starting with her own family . . . River’s Call Anna Larson's daughter, Lauren, is confused, brokenhearted, and misguided. It's the turbulent 1960s and, feeling alienated from her mother, Lauren chooses to stay with her paternal grandmother. However, repelled by the woman's manipulative and spiteful ways, Lauren returns to her mother, the river, and the Inn at Shining Waters. There, Lauren begins to appreciate the person her mother is becoming--and she loves the river. However, romantic interests throw a wrench into the works and Lauren, jealous and angry, returns to her grandmother yet again. But as time passes, Lauren, now a mother to her own defiant teenager, faces a new crisis--one that puts the entire family at risk.