Tears for Isis is about an Egyptian Pharaoh, whose quest for glory lands him in Mesopotamia. He stays there for a time, and returns only to find betrayal, love, and enemies at his gate. As the approaching Hittite Empire slowly swallows up his imperial ambitions, Pharaoh Nebakhre also pursues his own hidden past, and the true nature of his mysterious father, the high priest of Seth. This story is unique among other historical fiction titles, and even has an insightful look at the Egyptian afterlife on the other side. Those interested in making a film based on this novel are welcome. Tears for Isis was written by a reborn Ancient Egyptian."

Olly Christie and Josh Welles are on an archaeological dig in Egypt, with Olly's father who is searching for the first of the Talismans of the Moon - the Tears of Isis. Olly and Josh are determined to investigate. Not only do they have to avoid the Egyptian tomb booby-traps, they will also have to thwart whoever it is who is trying to sabotage the dig...

An incisive narrative history of the Islamic State, from the 2005 master plan to reestablish the Caliphate to its quest for Final Victory in 2020 Given how quickly its operations have achieved global impact, it may seem that the Islamic State materialized suddenly. In fact, al-Qaeda’s operations chief, Sayf al-Adl, devised a seven-stage plan for jihadis to conquer the world by 2020 that included reestablishing the Caliphate in Syria between 2013 and 2016. Despite a massive schism between the Islamic State and al-Qaeda, al-Adl’s plan has proved remarkably prescient. In summer 2014, ISIS declared itself the Caliphate after capturing Mosul, Iraq—part of stage five in al-Adl’s plan. Drawing on large troves of recently declassified documents captured from the Islamic State and its predecessors, counterterrorism expert Brian Fishman tells the story of this organization’s complex and largely hidden past—and what the master plan suggests about its future. Only by understanding the Islamic State’s full history—and the strategy that drove it—can we understand the contradictions that may ultimately tear it apart.

Discusses the cultural background and meaning of ten goddesses, including Aphrodite, Isis, Athena, Durga, Laksmi, and Sita

And therefore the desire of truth, especially in what relates to the Gods, is a sort of grasping after divinity, it using learning and enquiry for a kind of resumption of things sacred, a work doubtless of more religion than any ritual purgation or charge of temples whatever, and especially most acceptable to the Goddess you serve, since she is more eminently wise and speculative, and since knowledge and science (as her very name seems to import) appertain more peculiarly to her than any other thing. For the name of Isis is Greek, and so is that of her adversary Typhon, who, being puffed up through ignorance and mistake, pulls in pieces and destroys that holy doctrine, which she on the contrary collects, compiles, and delivers down to such as are regularly advanced unto the deified state; which, by constancy of sober diet, and abstaining from sundry meats and the use of women, both restrains the intemperate and voluptuous part, and habituates them to austere and hard services in the temples, the end of which is the knowledge of the original, supreme, and mental being, which the Goddess would have them enquire for, as near to herself and as dwelling with her.