When revolutions happen, they change the rules of everyday life--both the codified rules concerning the social and legal classifications of citizens and the unwritten rules about how individuals present themselves to others. This occurred in Russia after the Bolshevik Revolution of 1917, which laid the foundations of the Soviet state, and again in 1991, when that state collapsed. Tear Off the Masks! is about the remaking of identities in these times of upheaval. Sheila Fitzpatrick here brings together in a single volume years of distinguished work on how individuals literally constructed their autobiographies, defended them under challenge, attempted to edit the "file-selves" created by bureaucratic identity documentation, and denounced others for "masking" their true social identities. Marxist class-identity labels--"worker," "peasant," "intelligentsia," "bourgeois"--were of crucial importance to the Soviet state in the 1920s and 1930s, but it turned out that the determination of a person's class was much more complicated than anyone expected. This in turn left considerable scope for individual creativity and manipulation. Outright imposters, both criminal and political, also make their appearance in this book. The final chapter describes how, after decades of struggle to construct good Soviet socialist personae, Russians had to struggle to make themselves fit for the new, post-Soviet world in the 1990s--by "de-Sovietizing" themselves. Engaging in style and replete with colorful detail and characters drawn from a wealth of sources, Tear Off the Masks! offers unique insight into the elusive forms of self-presentation, masking, and unmasking that made up Soviet citizenship and continue to resonate in the post-Soviet world.

When revolutions happen, they change the rules of everyday life--both the codified rules concerning the social and legal classifications of citizens and the unwritten rules about how individuals present themselves to others. This occurred in Russia after the Bolshevik Revolution of 1917, which laid the foundations of the Soviet state, and again in 1991, when that state collapsed. Tear Off the Masks! is about the remaking of identities in these times of upheaval. Sheila Fitzpatrick here brings together in a single volume years of distinguished work on how individuals literally constructed their autobiographies, defended them under challenge, attempted to edit the "file-selves" created by bureaucratic identity documentation, and denounced others for "masking" their true social identities. Marxist class-identity labels--"worker," "peasant," "intelligentsia," "bourgeois"--were of crucial importance to the Soviet state in the 1920s and 1930s, but it turned out that the determination of a person's class was much more complicated than anyone expected. This in turn left considerable scope for individual creativity and manipulation. Outright imposters, both criminal and political, also make their appearance in this book. The final chapter describes how, after decades of struggle to construct good Soviet socialist personae, Russians had to struggle to make themselves fit for the new, post-Soviet world in the 1990s--by "de-Sovietizing" themselves. Engaging in style and replete with colorful detail and characters drawn from a wealth of sources, Tear Off the Masks! offers unique insight into the elusive forms of self-presentation, masking, and unmasking that made up Soviet citizenship and continue to resonate in the post-Soviet world.

A wearable board book with die-cut holes invites the reader to try out the six bearded masks.

For the first time ever, Goosebumps is in hard cover! Catch the series' most notorious characters--undead or alive... For the first time ever, Goosebumps is in hard cover! Catch the series' most notorious characters--undead or alive...From horror master R.L. Stine come two new chilling stories in one spooky standalone:Lu-Ann Franklin usually loves Halloween. Not this year. Her best friend, Devin O'Bannon, is going away for the week. And she has to go to a boring party where nothing exciting could ever happen. But when Lu-Ann comes face-to-face with The Haunted Mask, major trouble lies ahead.Devin O'Bannon didn't want to leave his best friend Lu-Ann Franklin behind on Halloween. He didn't ask to go on this trip. And that was before he heard the strange scratching on his windows and saw the shadows moving around in the fields. Something is out there and it doesn't seem to want Devin around!

In the new edge-of-your-seat adventure from national bestselling author Nick Petrie, Peter Ash pursues one case--and stumbles into another--in the City of the Blues. Iraq war veteran Peter Ash is restless in the home he shares with June Cassidy in Washington State. June knows Peter needs to be on the move, so she sends him to Memphis to help her friend Wanda Wyatt, a photographer and war correspondent who's been receiving peculiar threats. When Peter arrives in Memphis, however, he finds the situation has gone downhill fast--someone has just driven a dump truck into Wanda's living room. But neither Wanda nor Peter can figure out why. At the same time, a young homeless street musician finds himself roped into a plan to rob a jewelry store. The heist doesn't go as planned, and the young man finds himself holding a sack full of Rolexes and running for his life. When his getaway car breaks down, he steals a new one at gunpoint--Peter's 1968 green Chevrolet pickup truck. Peter likes the skinny kid's smarts and attitude, but he soon discovers that the desperate musician is in far worse trouble than he knows. And Wanda's troubles are only beginning. Peter finds himself stuck between Memphis gangsters--looking for Rolexes and revenge--and a Mississippi ex-con and his hog-butcher brother looking for a valuable piece of family history that goes all the way back to the Civil War.

Homesick and longing for the company of handsome Jonathan Walkingstick, former Atlanta D.A. Mary Crow returns to North Carolina to open her own practice and finds herself taking on the case of Ridge Standingdeer, a young Cherokee farmhand accused of killing the local prom queen. Reprint.