While at an Oxford cocktail party, tearoom owner Gemma Rose overhears a sinister conversation minutes before a University student is fatally poisoned. Could there be a connection? And could her best friend Cassie's new boyfriend have anything to do with the murder? Gemma decides to start her own investigation, helped by the nosy ladies from her Oxfordshire village and her old college flame, CID detective Devlin O'Connor. But her mother is causing havoc at Gemma's quaint English tearoom and her best friend is furious at her snooping... and this mystery is turning out to have more twists than a chocolate pretzel! Too late, Gemma realises that she's could be the next item on the killer's menu. Or will her little tabby cat, Muesli, save the day? (** Velvet Cheesecake recipe included!)

Gemma ditches her high-flying job and returns to Oxford to follow her dream: opening a traditional English tearoom serving warm buttery scones with jam and clotted cream, and fragrant tea in pretty bone china... Only problem is-murder is the first thing on the menu and Gemma is the key suspect! And the only people Gemma can turn to for help are four nosy old ladies from her local Cotswolds village - not to mention a cheeky little tabby cat named Muesli. Who is the mysterious woman Gemma met on the flight back from Australia and why was she murdered? Now Gemma must find the killer, solve the mystery and clear her name if she's to have her cake-and serve it too. This PREQUEL to the OXFORD TEAROOM MYSTERIES can be read as a standalone, before or after any other book in the series.

In this fifth and final set of Father Brown mysteries G K Chesterton's short, shabby priest continues, in his humorous, effortless but powerfully effective way to solve a wide range of high crimes and misdemeanours.

A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.