From beloved author Molly Harper comes the first novel in the contemporary romance series, Southern Eclectic, about a big-city party planner who finds true love in a small Georgia town. Nestled on the shore of Lake Sackett, Georgia is the McCready Family Funeral Home and Bait Shop. (What, you have a problem with one-stop shopping?) Two McCready brothers started two separate businesses in the same building back in 1928, and now it’s become one big family affair. And true to form in small Southern towns, family business becomes everybody’s business. Margot Cary has spent her life immersed in everything Lake Sackett is not. As an elite event planner, Margot’s rubbed elbows with the cream of Chicago society, and made elegance and glamour her business. She’s riding high until one event goes tragically, spectacularly wrong. Now she’s blackballed by the gala set and in dire need of a fresh start—and apparently the McCreadys are in need of an event planner with a tarnished reputation. As Margot finds her footing in a town where everybody knows not only your name, but what you had for dinner last Saturday night and what you’ll wear to church on Sunday morning, she grudgingly has to admit that there are some things Lake Sackett does better than Chicago—including the dating prospects. Elementary school principal Kyle Archer is a fellow fish-out-of-water who volunteers to show Margot the picture-postcard side of Southern living. The two of them hit it off, but not everybody is happy to see an outsider snapping up one of the town's most eligible gentleman. Will Margot reel in her handsome fish, or will she have to release her latest catch?

One of the original waitresses of the Greenwich Avenue teashop looks at life behind the scenes of the popular restaurant, and offers recipes for dishes including bubble & squeak, baked rice pudding, and Yorkshire pudding.

A bright, funny novel about a woman's life on the brink of destruction and how she pulls it back together, by the author of Shooting Butterflies Amelia Lindsey is an exceptional young woman. She shares her days between a grandmother whom she loves, a mother whom she tolerates with patient fortitude, and Gerald. They had fallen in love with Amelia two years earlier, when he was in his artistic phase, and had begged her to move in with him. Now (no longer in his artistic phase) he is showing signs of irritation. And suddenly Selma, the talented and much-beloved grandmother, has become old. As life - and Gerald - begins to collapse all round Amelia, she is determined that the one person who will not fade is Selma. Fighting a one-woman battle against Cherryfield retirement home, Gerald's defection and her mother's obsession with germs, Amelia finds herself capable of plots, diversions, and friendships she has never imagined before.

FIRST IN THE TEA & SYMPATHY SERIES!Meet Lilly Tweed. Former Agony Aunt. Purveyor of Fine Teas. Accidental Sleuth. When Lilly Tweed former agony aunt with the local newspaper is made redundant, she takes the opportunity to pursue a lifelong ambition, to open The Tea Emporium in the small market town of Plumpton Mallet. But with her replacement making a hash of the column, it's not long before she is once again being sought for valuable advice. When the body of a local woman is found drowned in the river, the contents of her pockets reveal a letter from Lilly and she's unwillingly drawn into the case. But is it just a tragic accident, as the police think? Lilly isn't convinced, but pursuing her own inquiry means it isn't long before she gets into hot water.

The brilliantly funny new novel featuring The Grade Cricketer, hero of the bestselling cult classic The Grade Cricketer. 'A sequel to The Grade Cricketer? It's like junk time in a second innings - something you just have to be part of.' Gideon Haigh. Is life without cricket worth living? It's a question asked and answered by the Grade Cricketer, as he faces a cricket-free future after a devious plan goes horribly wrong. Hilarious, ridiculous and completely true to life to anyone who's ever spent time in a dressing room, Tea and No Sympathy takes us on a skeweringly funny sporting misadventure through the world of grade cricket and the flawed, damaged and occasionally appalling people who play it, from the creators of the bestselling novel The Grade Cricketer. Praise for The Grade Cricketer: 'The Grade Cricketer is the finest tribute to a sport since Nick Hornby's Fever Pitch, and the best cricket book in yonks. It's belly-laughing funny but it's also a hymn to the grand and complex game delivered with a narrative pace and ability I'm afraid most Test players don't have. For anyone who ever dreamed of excelling at a sport but never quite made it but still gave it your life, this is the story. A great read!' Tom Keneally 'The Grade Cricketer has taken us so far inside a district club dressing room that you feel like a locker. Ligaments could not be closer to the bone than some of his observations.' Kerry O'Keeffe 'The Grade Cricketer is strange and, I suspect, brilliant'. Wisden

Welcome to the Grief Club - a place where one human who experienced a terrible loss, Janine Kwoh, is at the door to welcome other humans who are grieving. It is not an instruction manual, or a step-by-step playbook, or a memoir. It is, rather, a fresh, empathetic approach to all of the surprising, confusing, brutal, funny, and downright bizarre parts of grief. Combining her own experiences with grief - the author's partner died when both were in their late 20s - with what she learned from others in her 'grief club', Kwoh uses brief writings and observations, hand-drawn illustrations, and diagrams to explore all the different ways grief happens. Plus, wisdom and understanding in every line - there is no right or wrong way to grieve - and permission to grieve in whichever ways you need, for however long you need to. What to do when the world is your grief trigger. Signs you have grief brain. And gentle assurances: Grief isn't linear, but it does change and will soften over time. It is a book to put into the hands of anyone who is grieving, because from its very first page, that person will know they are no longer alone.

Widely known for innovative films like Meet Me in St. Louis, An American in Paris, and The Band Wagon, Vincente Minnelli also directed classic film comedies like Father of the Bride and Designing Woman, and melodramas such as The Bad and the Beautiful and Some Came Running. Though his work is beloved by filmmakers and audiences alike, Minnelli has nonetheless received very little critical attention in English. Vincente Minnelli: The Art of Entertainment remedies this imbalance, offering the first-ever comprehensive and scholarly examination of Minnelli's career within a variety of discourses and methods. Bringing together a number of previously uncollected and untranslated essays by some of the most important scholars and critics in North America, Australia, and Europe, Vincente Minnelli: The Art of Entertainment places Minnelli's cinema in its rightful position at the forefront of film history. In essays written over the last five decades, as well as a number of new essays commissioned especially for this volume, contributors consider Minnelli from a number of perspectives from auteurism to genre studies and psychoanalysis to close textual analysis. The volume is divided into four chronological sections, Minnelli in the 1960s: The Rise and Fall of an Auteur; The 1970s and 1980s: Genre, Psychoanalysis, and Close Readings; The 1990s: Matters of History, Culture, and Sexuality; and Minnelli Today: The Return of the Artist. An introduction by Joe McElhaney addresses the history of the reception of Minnelli's films, situating this reception within larger questions of film theory, criticism, and aesthetics. Too often dismissed as little more than a stylist dependent on the resources of the studio system and the structures of genre, Vincente Minnelli deserves a second look from serious film scholars. Vincente Minnelli: The Art of Entertainment demonstrates the remarkable and sustained rigor of Minnelli's vision and will appeal to students and teachers of film studies as well as fans of Minnelli's work.