'Relationships between and among people need to be managed and guarded by some rules'. Professor Hirini Moko Mead's comprehensive survey of tikanga Maori (Maori custom) is the most substantial of its kind every published. Ranging over topics from the everyday to the esoteric, it provides a breadth of perspectives and authoritative commentary on the principles and practice of tikanga Maori past and present.

Published in 1967, "Te Arawa" was the major work by distinguished Rotorua historian, the late Don Stafford. This sumptuous new edition reproduces the complete history of the Arawa people from the arrival of Te Arawa canoe until the late nineteenth century, and includes a new foreword by Professor Paul Tapsell.

This classic text on Maori culture collects indigenous New Zealand songs recorded over a period of 40 years by a respected Maori leader and distinguished scholar. The essence of Maori culture and its musical tradition is exhibited in the original song texts, translations, audio CDs, and notes from contemporary scholars featured in this new edition. This rare cultural treasure makes accessible a fleeting moment in Maori history when traditional practices and limited experience with the outside world allowed indigenous songs and customs to flourish.

Economic diversity abounds in a more-than-capitalist world, from worker-recuperated cooperatives and anti-mafia social enterprises to caring labour and the work of Earth Others, from fair trade and social procurement to community land trusts, free universities and Islamic finance. The Handbook of Diverse Economies presents research that inventories economic difference as a prelude to building ethical ways of living on our dangerously degraded planet. With contributing authors from twenty countries, it presents new thinking around subjectivity and methodology as strategies for making other worlds possible.

This comprehensive guide examines the personal histories, roles, and personalities that played into the traditional cultural art of carving. It also traces the influence of European patronage and the ensuing tourist trade upon this art form, as many Maori carvers began styling and catering their product to meet their clients’ aesthetic desires. Included is a discussion of the establishment of the government-sponsored Rotorua School of Maori Art in 1928, which appointed as the main tutor Eramiha Kapua, a Ngati Tarawhai carver, thus helping his own traditional tribal art to make the transition into a modern “national” art.

Research on Indigenous issues rarely focuses on life in major metropolitan centers, failing to account for large swaths of contemporary Indigenous realities, including the increased presence of Indigenous people in cities. The contributors to this volume explore the implications of urbanization on the production of distinctive Indigenous identities in Canada, the U.S., New Zealand, and Australia.