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Product tampering. Innocent lives. Nice suburban homes. A Seattle food company is victim to an ingenious extortion that has the FBI two steps behind. Seattle's veteran homicide sergeant, Lou Boldt, and police psychologist Daphne Matthews approach the case from opposite ends: one undearthing micoscopic evidence, the other putting together a chilling psychological profile of a man willing to contaminate and kill if necessary. The cop Daphne Matthews secretly loves is being destroyed by the extortion. Boldt sees his department cracking. As the high-tech manhunt builds to a furious crescendo, Boldt and Matthews are jolted again: the madman they're hunting may not be working alone . . .

Can a big-city butch find community in a small town? Delta's sunk about as far as she can go when she moves in with her brother. He's in the same boat: his wife just left him and he's down in the dumps. They don't do much to cheer each other up, but at least co-existence is peaceful. When Delta crashes the town's Friday Night Queer Club, the girl she's got the hots for is not the one who wants her back. How she ends up with a girlfriend she doesn't even like is anyone's guess, but that's not the only thing ruining her chances with the femme of her dreams. Her crush claims to be straight, and she doesn't exactly ingratiate herself by doubting Melanie's word. Even when you've hit rock bottom, you can always sink lower. If there's one thing Delta knows how to do, it's burn bridges. How will Delta untangle the mess she's created when she's running on nothing but street-smarts and grit?

After presenting some writers living in the same literary epochs and using similar styles in Essays on the Literature, A. R. Wielgus demonstrates the words of K. Wojtyla, which are used in the ending of one of his dramas that vengeance belongs to God in the novel of The Old Widow and the Priest and reminds us that literary justice is a struggle for truth in things as they are. Against all odds, the old widow never lost her faith in the mercy of Father God.

ITW Finalist Eric Redman is back in this thrilling second installment of his Hawaiian murder mystery series, perfect for fans of Anne Hillerman. When bodies start piling up and the list of suspects growing long, Detective Kawika Wong must dig into his own past to solve a Big Island murder. It’s been twelve long years since Detective Kawika Wong was tasked with solving the brutal murder of the infamous real-estate developer Ralph Fortunato—a case that led to more bodies than answers and a slew of complicated and ancient secrets, a case that made his career. Now, the once rookie detective is next in line to be Honolulu’s next Chief of Police. But all is not well on Oʻahu or the Big Island. For weeks, Kawika and his team have failed to catch an elusive serial killer known as the “Slasher.” He strikes quickly and efficiently, and he doesn’t make mistakes. But when a freshly decapitated body is found at a previous dump site, Kawika’s gut tells him something isn’t quite right. Who is this victim, and why does Kawika feel that this one doesn’t belong to the Slasher? To make matters worse, a hungry young journalist, Zoë Akona, is investigating the questionable outcome Kawika and his then-superior Terry Tanaka produced in the Fortunato case, and her snooping leads to an official review that jeopardizes everything Kawika’s worked so hard for. But Detective Wong knows that, no matter what, he must find a second murderer even while the “Slasher” continues to strike. The investigation takes him back to the Big Island – and to the long-dormant case the reporter Zoë Akona won’t leave alone. Kawika is about to discover what happens when the secrets of the past catch up with the promises of his future.