A bold argument that “and” always means “&,” the truth-functional sentential connective. In this book, Barry Schein argues that “and” is always the sentential logical connective with the same, one, meaning. “And” always means “&,” across the varied constructions in which it is tokened in natural language. Schein examines the constructions that challenge his thesis, and shows that the objections disappear when these constructions are translated into Eventish, a neo-Davidsonian event semantics, and, enlarged with Cinerama Semantics, a vocabulary for spatial orientation and navigation. Besides rescuing “and” from ambiguity, Eventish and Cinerama Semantics solve general puzzles of grammar and meaning unrelated to conjunction, revealing the book's central thesis in the process: aspects of meaning mistakenly attributed to “and” are discovered to reflect neighboring structures previously unseen and unacknowledged. Schein argues that Eventish and Cinerama Semantics offer a fundamental revision to clause structure and what aspects of meaning are represented therein. Eventish is distinguished by four features: supermonadicity, which enlarges verbal decomposition so that every argument relates to its own event; descriptive event anaphora, which replaces simple event variables with silent descriptive pronouns; adverbialization, which interposes adverbials derived from the descriptive content of every DP; and AdrPs, which replace all NPs with Address Phrases that locate what nominals denote within scenes or frames of reference. With 'And,' Schein rehabilitates an old rule of transformational, generative grammar, answering the challenges to it exhaustively and meticulously.

In an alternate London where magical creatures are called Unnaturals and preserved in a museum, two teens find themselves caught in a web of intrigue, deception, and danger. Vespa Nyx wants nothing more than to spend the rest of her life cataloging Unnatural creatures in her father’s museum, but as she gets older, the requirement to become a lady and find a husband is looming large. Syrus Reed’s Tinker family has always served and revered the Unnaturals from afar, but when his family is captured to be refinery slaves, he finds that his fate may be bound up with Vespa’s—and with the Unnaturals. As the danger grows, Vespa and Syrus find themselves in a tightening web of deception and intrigue. At stake may be the fate of New London—and the world.

An authoritative portrait of the Latin-American warrior-statesman examines his life against a backdrop of the tensions of nineteenth-century South America, covering his achievements as a strategist, abolitionist, and diplomat.

Napoleon's army has swept over Prussia, leaving in its wake a conquered land occupied by the French, in this superb sequel to the acclaimed "Critique of Criminal Reason. Days of Atonement" continues Gregorio's inimitable and enthralling historical mystery series.

In the immediate aftermath of World War I, Hugh Thurne, a British diplomat involved in the peace negotiations, decides to flee to his second home in Venice rather than return to his wife and the charade of his marriage in London. Although profoundly disturbed about the long-term prospects for peace, he has faith in the city's power to raise his spirits. Hugh eagerly looks forward to visits with his old friends Giacomo and Valentina Venier in their dilapidated palazzo on the Grand Canal; to dallying with a young opera singer, Emanuela; and to the arrival of Violet Mancroft, the widow of his best friend lost in the war. What he does not anticipate is the shadow lying over the Venier family's future. Nor has he reckoned with the vagaries of his own human heart. Evoking the beauty of Venice, By the Grand Canal is a novel about premonition for the future and the war it portends, about death and memory, and also about an unexpected love between two old friends.

Cultural Genealogy explores the popularization in the Renaissance of the still pervasive myth that later cultures are the hereditary descendants of ancient or older cultures. The core of this myth is the widespread belief that a numinous charismatic power can be passed down unchanged, and in concrete forms, from earlier eras. Raphael Falco shows that such a process of descent is an impossible illusion in a knowledge-based culture. Anachronistic adoption of past values can only occur when these values are adapted and assimilated to the target culture. Without such transcultural adaptation, ancient values would appear as alien artifacts rather than as eternal truths. Scholars have long acknowledged the Renaissance borrowings from classical antiquity, but most studies of translatio studii or translatio imperii tacitly accept the early modern myth that there was a genuine translation of Greek and Roman cultural values from the ancient world to the "modern." But as Falco demonstrates, this is patently not the case. The mastering of ancient languages and the rediscovery of lost texts has masked the fact that surprisingly little of ancient religious, ethical, or political ideology was retained — so little that it is crucial to ask why these myths of transcultural descent have not been recognized and interrogated. Through examples ranging from Petrarch to Columbus, Maffeo Vegio to the Habsburgs, Falco shows how the new techne of systematic genealogy facilitated the process of "remythicizing" the ancient authorities, utterly transforming Greek and Roman values and reforging them into the mold of contemporary needs. Chiefly a study of intellectual culture, Cultural Genealogy has ramifications reaching into all levels of society, both early modern and later.