“British Fantasy Award-winner Lumley pays homage to Robert E. Howard’s Conan in the six fantasy tales of his second Primal Land collection.” —Publishers Weekly Tarra Khash is a Hrossak, a barbarian from the steppes beyond the River Luhr. A fearless adventurer, Tarra roves Theem-hdra in search of his next fortune, his next drink, and warm, willing females to share his bed. The Hrossak is a most fortunate man, for he has faced more than one god during his travels, and so far escaped unscathed . . . Seeking to avenge the murder of a beautiful young woman of the half-mystical Suhm-yi, Tarra joins forces with her husband, now the last of his kind. Each worships a moon-god, and together, their faith and Tarra’s weapons wreak a terrible vengeance on those who stole the treasure of the Suhm-yi and destroyed that noble race. Eager for wealth, Tarra is trapped by a wily old man who has lured him into plumbing the depths of a treasure-filled cavern guarded by golden statues of the Great God Cthulhu. Cthulhu’s treasure is not easily plundered, and Tarra nearly loses his life to the monstrous forces of the Elder God. Many men have met the lamia Orbiquita, but none have lived to tell of her extraordinary powers of love-making—until Tarra Khash, who treats her as a woman wants to be treated and so earns her forgiveness and his life. Alas, others who assume her to be weakened by love for Tarra Khash are not so lucky!

Prior to the first American publication of Brian Lumley's ground-breaking, dead-waking, best-selling Necroscope in 1988—the first novel in a long-lived, much-loved series—this British author had for twenty years been earning himself something of a reputation writing short stories, novellas, and a series of novels set against H. P. Lovecraft's cosmic Cthulhu Mythos backdrop. A soldier in 1967, serving in Berlin with the Royal Military Police, Lumley jumpstarted his literary career by writing to August Derleth, the then-dean of macabre publishers at his home in Sauk City, Wisconsin, telling of his fascination with the Mythos, and purchasing books by the "Old Gentleman of Providence, RI." In addition, he sent a page or two of written work allegedly culled from the various forbidden or "black books" of the Mythos. Suitably impressed, the master of Arkham House invited Lumley to write something solid in the Mythos as a possible contribution to a new volume he was currently contemplating, to be titled—what else but?—Tales of the Cthulhu Mythos. And as might well be imagined, that set everything in motion. Years have passed since then and a good many words of Mythos fiction written, including critically acclaimed and award-nominated work, stories that have appeared in prestigious magazines such as Fantasy & Science Fiction, and hardcover volumes from publishers all over the world from the USA to China and the United Kingdom to Russia. Stories included in this collection: THE CALLER OF THE BLACK HAGGOPIAN CEMENT SURROUNDINGS THE HOUSE OF CTHULHU THE NIGHT SEA-MAID WENT DOWN NAME AND NUMBER RECOGNITION CURSE OF THE GOLDEN GUARDIANS AUNT HESTER THE KISS OF BUGG-SHASH DE MARIGNY’S CLOCK MYLAKHRION THE IMMORTAL THE SISTER CITY WHAT DARK GOD? THE STATEMENT OF HENRY WORTHY DAGON’S BELL THE THING FROM THE BLASTED HEATH DYLATH-LEEN THE MIRROR OF NITOCRIS THE SECOND WISH THE HYMN SYNCHRONICITY OR SOMETHING THE BLACK RECALLED THE SORCERER’S DREAM

Classic Lovecraftian horror from one of the masters of the form, British Fantasy Award-winner Brian Lumley. Sorcery in Shad Pity the poor lamia! Mighty Orbiquita, she who damned to death countless men for merely looking at her, she who slew with impunity any who dared breach the walls of her fabled castle . . . Orbiquita has fallen in love—and with a barbarian Hrossak! Tarra Khash, he is, who saved a lamia's life and made her long to be human again. Tarra Khash, who with the help of the last survivors of an alien race, overthrew a god and saved an entire city thereby. Tarra Khash, who has adventured far and wide through the Primal Land, searching for treasure, for wine, women, and song. Tarra Khash, who has fallen into the clutches of the slave Cush Gemal, who was once an ordinary man but who has become the foulest of sorcerers, Black Yoppaloth. Like all sorcerers, Black Yoppaloth craves immortality, and believes he stands on the brink of achieving it. Then his evil power will be unrivaled and he will control all of the Primal Land. Only Tarra Khash stands in his way. Tarra Khash—and, though he does not know it, his friends and allies: she who was once the lamia Orbiquita; the alien Amyr Arn; a slumbering, ponderous yet powerful moon god; and the magician Teh Atht, who must choose between immortality and saving the Primal Land! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A Coven of Vampires is a collection of thirteen classic vampire tales that encompasses erotic vampires, bestial vampires, teenage vampires, tentacled vampires, vampiric gods, ghouls, lamias, witch's familiars and blood-suckers. Stories included in this collection: What Dark God? Back Row The Strange Years The Kiss of the Lamia Recognition The Thief Immortal Necros The Thing From the Blasted Heath Uzzi Haggopian The Picknickers Zack Phalanx is Vlad the Impaler The House of the Temple

Edited by Brian Lumley and multiple Bram Stoker Award winner Stanley Wiater, The Brian Lumley Companion is an indispensable guide to the life and works of Brian Lumley. The Companion is illustrated with photographs from the author's private collection and full-color reproductions of Hugo Award–winning artist Bob Eggleton's eye-catching cover art for Lumley's works. Contributors to The Brian Lumley Companion include some of today's most noted experts on horror fiction, including W. Paul Ganley, founder of Weirdbook Press and two-time winner of the World Fantasy Award; Stephen Jones, coeditor of Horror: 100 Best Books and winner of multiple World Fantasy, British Fantasy, and Bram Stoker Awards; Robert M. Price, author of H. P. Lovecraft and the Cthulhu Mythos and one of the most respected analysts of Lovecraftian fiction; Robert G. Weinberg, an acknowledged specialist in weird fiction, and Stanley Wiater, host of the TV series "Dark Dreamers." In The Brian Lumley Companion, Lumley aficionados will find an overview of Lumley's career, from his first short fiction up to the present day; essays comparing Lumley and H. P. Lovecraft, a lengthy interview with the author that delves into the heart of Lumley's relationship with the writers and editors who inspired him and the fans who support him, and analyses of Lumley's short fiction and novels. An interview with Bob Eggleton gives insight into the development of his striking covers for the Necroscope series and other Lumley works. This companion also includes complete listings of the first publications of each of Lumley's novels, short fiction, and poetry. Major attractions are the detailed concordances that focus on individual novels and series, including the three Psychomech titles, the Dreamlands and Primal Lands series, and each volume in the Necroscope series. As a special treat, The Brian Lumley Companion includes three short short stories by Brian Lumley, works that have never before appeared in book form. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A comprehensive bibliography of books and short fiction published in the English language.

For twenty years this award-winning compilation has been the nonpareil benchmark against which all other annual fantasy and horror collections are judged. Directed first by Ellen Datlow and Terri Windling and for the past four years by Datlow and Kelly Link and Gavin J. Grant, it consistently presents the strangest, the funniest, the darkest, the sharpest, the most original—in short, the best fantasy and horror. The current collection, marking a score of years, offers more than forty stories and poems from almost as many sources. Summations of the field by the editors are complemented by articles by Edward Bryant, Charles de Lint, and Jeff VanderMeer, highlighting the best of the fantastic in, respectively, media, music, and comics, as well as honorable mentions—notable works that didn’t quite make the cut, but are nonetheless worthy of attention. The Year’s Best Fantasy and Horror: Twentieth Annual Collection is a cornucopia of fantastic delights, an unparalleled resource and indispensable reference that captures the unique excitement and beauty of the fantastic in all its gloriously diverse forms, from the lightest fantasy to the darkest horror.