"Taras Bulba and Other Tales" is a collection of stories written by Nikolai Vasilievich Gogol, one of the most renowned Russian authors of the 19th century. The collection contains several distinct tales that showcase Gogol's unique blend of satire, dark humor, and vivid storytelling. The centerpiece of the collection is the titular story, "Taras Bulba," which follows the life of a Cossack warrior and his two sons during the tumultuous times of the Polish-Lithuanian Commonwealth. Gogol's depiction of the fierce and proud Cossack culture, along with the intense conflicts and vivid battle scenes, brings to life the spirit of the era and the struggles of the characters. In addition to "Taras Bulba," the collection includes other notable tales such as "St. John's Eve," a mysterious and atmospheric story set during a pagan festival, and "The Portrait," a haunting tale of a painter's obsession with his subject. These stories exhibit Gogol's ability to delve into the depths of human nature, exploring themes of identity, passion, and the supernatural. "Taras Bulba and Other Tales" is a captivating collection that showcases Gogol's mastery of storytelling and his exploration of themes that remain relevant today.

Excerpt from Taras Bulba Historical writings, legends, folk ballads and songs - all these helped Gogol to paint a realistic picture of the life of the Ukrainian people and their heroic struggle, which was particularly intensified after the year 1569. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Taras Bulba: A Tale of the Cossacks The Ukraina, briefly stated, is - the Border Marches. Naturally it has varied, in different epochs, just as our Western Frontier (pretty nearly its exact equivalent) varied at different periods in the briefer history of the United States, and was pushed further and further away from the Eastern centre of civilisation. In the case of Rus sia, Moscow represented that centre. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This book is a study devoted to exploring the use of a Russian version of the Jewish stereotype (the ridiculous Jew) in the works of three of the greatest writers of the nineteenth century. Rosenshield does not attempt to expose the stereotype—which was self-consciously and unashamedly employed. Rather, he examines how stereotypes are used to further the very different artistic, cultural, and ideological agendas of each writer. What distinguishes this book from others is that it explores the problems that arise when an ethnic stereotype is so fully incorporated into a work of art that it takes on a life of its own, often undermining the intentions of its author as well as many of the defining elements of the stereotype itself. With each these writers, the Jewish stereotype precipitates a literary transformation, taking their work into an uncomfortable space for the author and a challenging one for readers.

In The Witches of Kyiv and Other Gothic Tales by Orest Somov the supernatural is present throughout Ukraine, from a cemetery in Kyivan Rus, to an isolated forest cottage in the seventeenth century Kozak era, to the society ballrooms of Somov’s own world – the early nineteenth century. Gothic horror appears in many guises including witches, warlocks, demons and vengeful ‘rusalka’. Strange soothsayers and malevolent visitors represent the forces of good and evil. In her foreword Dr Svitlana Krys describes Somov “as an initiator of an indigenous literary tradition of the Gothic in the Ukrainian literary canon”. Native folk traditions, ghost stories and European Romanticism are twisted together in Somov’s imaginative tales, most of which are published here in English for the first time.

Using, or rather mimicking, traditional forms of storytelling Gogol created stories that are complete within themselves and only tangentially connected to a meaning or moral. His work belongs to the school of invention, where each twist and turn of the narrative is a surprise unfettered by obligation to an overarching theme. Selected from Evenings on a Farm near Dikanka, Mirgorod, and the Petersburg tales and arranged in order of composition, the thirteen stories in The Collected Tales of Nikolai Gogolencompass the breadth of Gogol's literary achievement. From the demon-haunted “St. John's Eve ” to the heartrending humiliations and trials of a titular councilor in “The Overcoat,” Gogol's knack for turning literary conventions on their heads combined with his overt joy in the art of story telling shine through in each of the tales. This translation, by Richard Pevear and Larissa Volokhonsky, is as vigorous and darkly funny as the original Russian. It allows readers to experience anew the unmistakable genius of a writer who paved the way for Dostevsky and Kafka.