A visual ode to trees rendered by tribal artists from India, in a handsome handcrafted edition.

Hand block-printed on textile, this limited-edition artists' book consists of a sequence of folding panels, designed to invoke pre-modern - particularly Asian - traditions of bookmaking. At the same time, the panels recall and recreate a Mata-Ni-Pachedi - the ritual 'Cloth of the Mother Goddess' - and tell the story of its origins. The textile book is accompanied by a film on the artist and his art tradition. The tactility of the book, invoking the labour and craft that have gone into its creation, is offset by the digital documentary which brings in context and history; together, the juxtaposition of the two approaches expands the frontiers of the book form, while deepening the viewer's enjoyment and understanding of the art tradition. The images featured in the book have been painted by Jagdish Chitara, who belongs to the Waghari community of artisans from Gujarat in western India. Poor and marginalised, they paint and block-print votive textiles for other so-called outcaste communities, equally disenfranchised in the Hindu caste hierarchy. Worshippers who are barred from entering temples offer a painted image of their particular guardian goddess to herself, in the form of a textile shrine. This poignant tradition, deemed low, in fact, expresses a sublime conception of the power of art: gifting a piece of creation to the creator is considered the highest form of worship. This is a notion of transcendence that appears to stretch across cultures and times.

A beautifully illustrated gift book to help us uncover and trust the innate goodness in ourselves and others. We receive so many messages from our culture meant to divide us from one another or turn us against ourselves. Yet when we stop judging, stop avoiding, stop trying to resist that which makes us afraid or ashamed, we open to our true nature—a boundless field of awareness that is innately fearless and loving. This recognition of our essential human goodness may be the most radical act of healing we can take. “The gold of our true nature can never be tarnished,” says Tara Brach. “In the moments of remembering and trusting this basic goodness of our Being, we open to happiness, peace, and freedom.” In Trusting the Gold, Tara draws from more than four decades of experience as a meditation teacher and psychologist to share her most valuable practices for reconnecting with the beauty of our humanity—from timeless Buddhist wisdom to techniques adapted to the specific challenges of our modern age. Here you’ll explore three pathways of remembering and living from your full aliveness: • Opening to the Truth of the present moment • Turning toward Love in any situation • Resting in the Freedom of our natural, radiant awareness “Even in the midst of our deepest emotional suffering, self-compassion is the pathway that will carry us home,” Dr. Brach writes. “What a joy to pause and behold our basic goodness, and to see how it shines through each of us. Seeing that secret beauty, we fall in love with all of life.”

Chiefly a folded scroll painting reproduced with a ballad on the tsunami that hit India in 2004.

This work stretches from deep prehistoric times up to the 12th century AD and beyond. After a short preamble from the Megalithic to the Bronze Age, scanning Tara’s Golden Age, it deals with Celtic Europe’s decline due to Roman and Germanic conquest. It follows Celtic tribes fleeing to Britain and Ireland, where they set up settlements. Ptolemy of Alexandria’s 2nd-century record debunks early Irish pseudo-history and ratifies the archaic Ulidian Tales. This work exposes the monumental hoax projecting Tara of Meath as the capital of Ireland and the seat of the High Kingship. The work draws on a compelling compilation of acclaimed authors and specialist studies that list the aforesaid as a medieval forgery. Prehistoric Tara had a much older status, an archaic Golden Age. This work tracks extensive research and archaeological analysis into British oppida, from which Celtic Belgic tribes migrated and set up similar oppida in Ireland. A concentration on the early history of these neglected areas was at the core of the early Irish historical records.