This book comprises stories from Southeast Asia, South Asia and East Asia, written especially for young adults. This specially curated anthology of short stories from Asia explores the human spirit and lives of the common man separated by time, space and culture, and yet united in the human spirit to overcome the difficulties that they face in life. It provides an insight into the rich and diverse landscape of Asia, as well as heritage and cultural practices. It also challenges pre-conceived notions of biases and beliefs about other cultures and opens up room for discussion on the differences that define the human race. A Tapestry of Colours 2 provides a platform for readers to develop global awareness of the landscape and the people of Asia.

Color has fascinated horse lovers for centuries, and the story of the formation of the different breeds is closely tied to the subject of color. The Equine Tapestry explores the role color has played, both from a historical perspective and in changing trends of the modern horse world. Combining a modern understanding of genetics with a wealth of historical documentation, this series gives a more complete picture of the founding of the different breeds and shows how this relates to the unusual colors popular in the present day. An Introduction to Colors and Patterns opens the series with a look at the different colors and patterns, giving detailed explanations written in plain English. Full color photos and illustrations are used throughout to enhance the text.

Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.

Spanning the backs of choir stalls above the heads of the canons and their officials, large-scale tapestries of saints' lives functioned as both architectural elements and pictorial narratives in the late Middle Ages. In an extensively illustrated book that features sixteen color plates, Laura Weigert examines the role of these tapestries in ritual performances. She situates individual tapestries within their architectural and ceremonial settings, arguing that the tapestries contributed to a process of storytelling in which the clerical elite of late medieval cities legitimated and defended their position in the social sphere.Weigert focuses on three of the most spectacular and little-studied tapestry series preserved from the fifteenth and early sixteenth centuries: Lives of Saints Piat and Eleutherius (Notre-Dame, Tournai), Life of Saint Steven (Saint-Steven, Auxerre [now Musée du Moyen Age, Paris]), and Life of Saints Gervasius and Protasius (Saint-Julien, Le Mans). Each of these tapestries, measuring over forty meters in length, included elements that have traditionally been defined as either lay or clerical. On the prescribed days when the tapestries were displayed, the liturgical performance for which they were the setting sought to merge the history and patron saint of the local community with the universal history of the Christian church. Weigert combines a detailed analysis of the narrative structure of individual images with a discussion of the particular social circumstances in which they were produced and perceived. Weaving Sacred Stories is thereby significant not only to the history of medieval art but also to art history and cultural studies in general.

How can I lead others with authority and kindness? How can I strengthen my self-control? How can I balance work and family? How can I get along with difficult coworkers? How can I best relate to people in need? Enter the Talmudic study house with innovative teacher Rabbi Amy Scheinerman and continue the Jewish values–based conversations that began two thousand years ago. The Talmud of Relationships, Volume 2 shows how the ancient Jewish texts of Talmud can facilitate modern relationship building—with family members, colleagues, strangers, the broader Jewish community, and ourselves. Scheinerman devotes each chapter to a different Talmud text exploring relationships—and many of the selections are fresh, largely unknown passages. Overcoming the roadblocks of language and style that can keep even the curious from diving into Talmud, she walks readers through the logic of each passage, offering full textual translations and expanding on these richly complex conversations, so that each of us can weigh multiple perspectives and draw our own conclusions. Scheinerman provides grounding in why the selected passage matters, its historical background, a gripping narrative of the rabbis’ evolving commentary, insightful anecdotes and questions for thought and discussion, and a cogent synopsis. Through this firsthand encounter with the core text of Judaism, readers of all levels—Jews and non-Jews, newcomers and veterans, students and teachers, individuals and chevruta partners and families alike—will discover the treasure of the oral Torah.

Reproduction of the original: The Expositor’s Bible: The Psalms, Vol. 2 by Alexander Maclaren

"This lavishly illustrated book presents a rich variety of European tapestries from the Art Institute of Chicago. These exquisite examples of the art of tapestry weaving include medieval, Renaissance, and Baroque works manufactured at many of the foremost workshops in the major centers of production. Among the pieces discussed are The Annunciation, a Renaissance masterpiece designed by an artist in the circle of Andrea Mantegna; The Story of Caesar and Cleopatra, a magnificent series of fourteen tapestries now attributed with certainty to Justus van Egmont, who worked in Rubens's studio; Autumn and Winter, based on designs by Charles Le Bron; and The Elephant, woven after a design by Jean-Baptiste Monnoyer. An international team of scholars explains the history of this previously unpublished collection and offers new designer and workshop attributions, design and source identifications, and provenance information." --Book Jacket.