Pratyangira, Sarabha Kali, Atharvana Veda Badra Kali, Dakshina Kali and Tara Practice to get Magical Powers like Aghora and Kapalika.

The Aghora trilogy have been embraced world-wide for their frankness in broaching subjects generally avoided and their facility for making the 'unseen' real. We enter the world of Vimalananda who teaches by story and living example.

This title looks at Kaalai and her worship in Kaula Tantra."

The mythology, rituals, meditations, and practices used in Tantric worship of the goddess Kali in the tradition of Kashmiri Shaivism • Reveals the practices of Vamachara, known as the Left-hand Path but more accurately translated as the Path of Shakti • Includes a Kali ritual from the Nirrutara Tantra, translated here for the first time • Presents devotional chants, meditations, and mudras specific to Tantric worship of Kali According to traditions going back to pre-Vedic times, Kali sprang from the third eye of the Goddess Durga as a destructive and terrifying manifestation of feminine power sent to lay waste to the forces of evil. Throughout India to this day, Kali is worshipped as the destroyer of bondage, capable of liberating her devotee from all rules and subjugation. In Tantric Kali, Daniel Odier presents the mythology, practices, and rituals of Kali worship in the Tantric Kaula tradition within Kashmiri Shaivism. He reveals the practices of Vamachara, commonly known as the Left-hand Path but more accurately translated as the Path of Shakti. In this tradition the body itself is Kali’s temple, and it is therefore unnecessary to reject or deny the body to know union with the divine. Instead, nothing is regarded as pure or impure and there is complete freedom from rules. Focused on working directly with forbidden emotions and behaviors, this path allows the seeker to transcend obstacles to liberation through sexual union. According to the Kaula Upanishad, “In your behavior do the opposite to what the norms dictate but remain in consciousness.” This is the essence of Tantra. Kali is absolute reality: manifested as woman intoxicated by desire, she frees the tantric practitioner from all desire except union with the divine. The author includes an evocative ritual from the Nirrutara Tantra--never before translated into any Western language--containing devotions to the 64 yoginis according to Matsyendranath, founder of the Kaula path. Offering devotional chants, meditations, and mudras specific to Tantric worship of Kali, this empowering book provides practices and teachings for those on the Tantric path to liberation.

Hymn to Kali by Arthur Avalon: First published in 1922, this book is a collection of poems and hymns dedicated to the Hindu goddess Kali, a powerful embodiment of feminine energy and creativity. The book is notable for its lyrical and devotional tone, and its exploration of the spiritual significance of Kali worship. Key Aspects of the book "Hymn to Kali": Poetic Exploration: The book is a poetic exploration of the spiritual significance of Kali worship, highlighting the transformative power of devotion and contemplation. Exploration of Feminine Energy: The book explores the power of feminine energy and creativity, and the transformative potential of harnessing this energy for spiritual purposes. Dedication to Kali: The book is dedicated to Kali, a powerful Hindu goddess associated with death, creation, and the cycles of life and death. Arthur Avalon was the pen name of Sir John Woodroffe, a British judge, scholar, and writer who specialized in Hindu philosophy and spirituality. Hymn to Kali is one of his most famous works, and is an important contribution to the field of comparative religion.

The Hindu pantheon is rich in images of the divine feminine—deities representing a wide range of symbolic, social, and meditative meanings. David Kinsley's new book documents a highly unusual group of ten Hindu tantric goddesses, the Mahavidyas, many of whom are strongly associated with sexuality and violence. What is one to make of a goddess who cuts her own head off, or one who prefers sex with a corpse? The Mahavidyas embody habits, attributes, or identities usually considered repulsive or socially subversive and can be viewed as "antimodels" for women. Yet it is within the context of tantric worship that devotees seek to identify themselves with these forbidding goddesses. The Mahavidyas seem to function as "awakeners"—symbols which help to project one's consciousness beyond the socially acceptable or predictable. Drawing on a broad range of Sanskrit and vernacular texts as well as extensive research in India, including written and oral interpretations of contemporary Hindu practitioners, Kinsley describes the unusual qualities of each of the Mahavidyas and traces the parallels between their underlying themes. Especially valuable are the many rare and fascinating images he presents—each important to grasping the significance of the goddesses. Written in an accessible, engaging style, Kinsley's book provides a comprehensive understanding of the Mahavidyas and is also an overview of Hindu tantric practice.