Here Prof. Donaldson Presents A Rich And Variegated Picture Of The Sakta/Tantra Art Of Orissa, Highlighting The Evolving Iconography Of Individual Images. He Focuses On Different Forms And Depictions Of The Goddess As Sakti, Painstakingly Analysing The Architecture Of A Number Of Temples And Their Images.

The author presents a rich and variegated picture of the sakta/ tantra art of Orissa, highlighting the evolving iconography of individual images. He focuses on different forms and depictions of the goddess as Sakti, painstakingly analyzing the architecture of a number of temples and their images.

Bibliography Index The Tantra Is A Body Of Theories, Techniques And Rituals Developed In India In Antiquity, Which Has Two Fundamental Aspects. The First Aspect Of The Tantra Is The Theory Of Creation, Which Posits That The Universe Has No Beginning And No End, And That All Its Manifestations Are Merely The Projections Of Divine Energy Of Its Creator. The Second Aspect Of The Tantra Is The Belief That The Performance Of Tantrik Techniques And Rituals Facilitates Access To This Divine Energy, Enabling Their Practitioners To Empower Themselves, As Well As Empower Others Associated With Them In The Guru-Disciple Relationship. Thus The Knowledge And Proper Application Of Tantrik Techniques And Rituals Is Believed To Harness The Creator'S Cosmic Energies To The Promotion Of The Mundane As Well As Spiritual Goals Of Their Practitioners. Between The Vii And The Xii Centuries A.D. These Theories, Rituals And Practices Spread To Other Parts Of Asia. In These Parts Their Interaction With Indigenous Traditions Of Shamanism And Other Magical Cults Resulted In Potent Hybrids. These Not Only Served The Personal Needs Of Their Practi- Tioners, But Were Used By The Kings To Summon The Cosmic Forces To Legitimize Their Right And Power To Rule The Ancient Monarchies. Elaborate And Artistically Beautiful Icons Were Developed In Sculpture, Painting, Bronze And Bas-Relief To Portray The Basic Concept Of Tantrik Theories And Various Deities Of The Hindu And Buddhist Pantheons. This Book First Explores The Origin Of The Tantra In India, Its Development And Emergence Of Various Schools Of Hindu And Buddhist Tantrism Over The Centuries. Then It Explores Their Spread From Tantrik Universities In Bihar And Other Centres Of Tantrik Scholarship And Rituals Practised In West Bengal, Orissa And South India At That Time To Nepal, Tibet, Mongolia, China, Japan And Indonesia. The Coloured Plates Illustrate The Iconographic Presentation Of The Basic Theories And Concepts Of The Tantra, As Well As Various Deities Associated With The Pantheons Of Hindu And Buddhist Tantrism Drawn From Different Parts Of The World.

Dr. T. N. Mishra Explores The Moral And Philosophical Meanings And Significance Of Yoga And Studies The Philosophies And Practices That Bear Reference To It. Abounding In Illustration, Notes And References To Scholarly Treatises, It Explains Yoga Psychology, Its Classification, Techniques And Stages And Practice And Concentrating On Yoga-Tantra And Its Impact On Indian Art And Architecture.

The Present Book On The Iconography Of The Buddhist Sculpture Of Orissa Utilizes The Author'S Expertise Of Orissan Brahmanical Art To Develop A Similar Consistent And Reliable Iconographic And Stylistic Evolution For The Buddhist Arts Of Orissa And Its Adherence To, Or Deviation From, Surviving Textual Icono-Graphic Peculiarities. There Is Little Doubt That Orissa Played A Major Role In The Creation, Development And Dissemination Of Buddhist Doctrines And Concepts Throughout India And The Buddhist World, Particularly In Respect To Vajrayana Buddhism And The Iconography Of Sculptural Mandalas. Particular Emphasis In This Book Is Placed On The Reciprocal Influence Between Brahmanical And Buddhist Art In Orissa, Both Religions Expanding At The Same Time In Regard To The Proliferation Of Deities And Their Variant Forms, And Each Apparently Competing With The Other For Patronage And Converts.

This Work, Drawn Largely From Oriya Sources, Provides A Much-Needed Analysis Of An Important But Often Neglected Topic. This Is The First Book That Provides A Comprehensive Assessment Of The Many-Sided Contributions Of Gourisankar Roy, Fakir Mohan Senapati, Radhanath Roy, Baikunthanath De And Maharaja Krushana Chandra Bhanj Who Were Some Of The Foremost Among The Makers Of Modern Orissa. It Explores The Evolution Of This Area, Its Problems And Triumphs, And Studies The Thoughts And Deeds Of These Five Towering Personalities Of Orissa In The Second Half Of 19Th Century. It Provides An Overall Picture Of The Different Aspects Of 19Th Century Orissa, Social, Political And Cultural. The Text Is Accessible To A Broad Readership And Will Be Of Service To Students And Scholars At All Levels.