Thomas Tallis spent more than fifty years composing music in the volatile world of Tudor England. Tallis is a clear, readable biography of a great Renaissance musician, which places the composer's music in its rich historical, cultural, and architectural context.

John Harley’s Thomas Tallis is the first full-length book to deal comprehensively with the composer’s life and works. Tallis entered the Chapel Royal in the middle of a long life, and remained there for over 40 years. During a colourful period of English history he famously served King Henry VIII and the three of Henry’s children who followed him to the throne. His importance for English music during the second half of the sixteenth century is equalled only by that of his pupil, colleague and friend William Byrd. In a series of chronological chapters, Harley describes Tallis’s career before and after he entered the Chapel. The fully considered biography is placed in the context of larger political and cultural changes of the period. Each monarch’s reign is treated with an examination of the ways in which Tallis met its particular musical needs. Consideration is given to all of Tallis’s surviving compositions, including those probably intended for patrons and amateurs beyond the court, and attention is paid to the context within which they were written. Tallis emerges as a composer whose music displays his special ability in setting words and creating ingenious musical patterns. A table places most of Tallis’s compositions in a broad chronological order.

The sixteenth century was a time of religious upheaval in England. From Henry VIII's protestant reformation through Queen Mary's staunch but short-lived Catholic revival to the return of Anglicanism in Elizabethan times, it would have required careful diplomacy for a Roman Catholic like Thomas Tallis simply to stay alive. In fact he became the most respected composer of his generation and is now recognised as one of the country's greatest composers. 2005 was the five hundredth anniversary of Thomas Tallis' birth and his genius is celebrated in this collection of English-texted sacred music, selected and edited by Jeremy Summerly to provide an invaluable source of introits and anthems for choirs. The volume contains: If You Love Me * Hear the Voice and Prayer * A New Commandment * O Lord, Give They Holy Spirit * I Call and Cry to Thee, O Lord * With All Our Heart * Discomfit Them, O Lord * Why Fumeth in Sight (the theme upon which Ralph Vaughan Williams based his Fantasia). If you are interested in this volume why not look at these other titles in the choral programme series: Fair Oriana (ed. Jeremy Summerly), Musicke's Praier (ed. Tim Brown) and Passetime with good company! (ed. Jeremy Summerley).

Pascal Programming for Music Research addresses those who wish to develop the programming skills necessary for doing computer-assisted music research, particularly in the fields of music theory and musicology. Many of the programming techniques are also applicable to computer assisted instruction (CAI), composition, and music synthesis. The programs and techniques can be implemented on personal computers or larger computer systems using standard Pascal compilers and will be valuable to anyone in the humanities creating data bases. Among its useful features are: -complete programs, from simple illustrations to substantial applications; -beginning programming through such advanced topics as linked data structures, recursive algorithms, DARMS translation, score processing; -bibliographic references at the end of each chapter to pertinent sources in music theory, computer science, and computer applications in music; -exercises which explore and extend topics discussed in the text; -appendices which include a DARMS translator and a library of procedures for building and manipulating a linked representation of scores; -most algorithms and techniques that are given in Pascal programming translate easily to other computer languages. Beginning, as well as advanced, programmers and anyone interested in programming music applications will find this book to be an invaluable resource.

Part 1. Mystery is the negation of common sense, just as metaphysics is a kind of poetry. Ten axiomatic propositions of eastern philosophy. Part 2. There are two kinds of seership, spiritual and sensuous. Spiritual seership is pellucid vistas of cosmic splendour; sensuous, hazy glimpses of Truth distorted by matter. Part 3. The exercise of Will-power is the highest form of prayer, followed by an instant response. Eight Vedantic precepts of man’s mystic powers, and their appellations. Part 4. An illusionary “double” or doppelganger can be projected to any location. There are three kinds of “doubles” or astral bodies. Part 5. Feats and wonders by learned thaumaturgists, skilled in occult science. Conjuration, ceremonies, circle-making, and incense-burning are as ridiculous as they are useless. Part 6. The adept-magician can release the astral soul from the cremated remains and thus facilitate the withdrawal of the astral soul of the deceased, which otherwise might remain stupefied for an indefinite period within the ashes. Part 7. The disappearance from sight of a flame, symbol of Divine Light, does not imply its actual extinction. The spirit of the flame is inextinguishable. Part 8. Pure Buddhism possesses all the breadth that can be claimed from a doctrine, at once religious and scientific. Its tolerance excites the jealousy of none. Part 9. Magnetism is the alphabet of magic. The glorified human spirit is far more beauteous than its physical capsule. Part 10. The Todas resemble the statue of the Grecian Zeus, in majesty and beauty of form. Part 11. Shamanism is the heathenism of Mongolia, and one of the oldest religions of India. In is an offshoot of primitive theurgy, a practical blending of the visible with the invisible world. Part 12. The philosopher’s stone is no stone, it is Triune Unity and the end of all philosophers. Man is also a stone, potentially, a living foundation upon which he can build a temple, pure as flaming diamond, fit for his Higher Self to shine through him and become a beneficent power on earth. Part 13. The longevity of Lamas and the Talapoins of Siam is proverbial. Part 14. To deride wonders is easy; to explain them, troublesome; to dissect scientifically, impossible. How the brave warrior’s feet proved less nimble than his tongue. Part 15. Shamanism and its spirit-worship, is the most despised of all surviving religions. Still, many Russians are convinced of the Shamans’ supernatural powers. Part 16. The Kurdish rites and doctrines are purely magical and magian. They unify the mysticism of the Hindu with the practices of the Assyrio-Chaldean magians. Part 17. The plastic power of imagination, when impregnated with the potentiality of good or bad, generates a current which attaches itself to anyone who comes within it. “Evil eye” is the effect of venomous thoughts from the spell a malicious person. Part 18. The subjective end of matter, is pure spirit; the objective end, crystallised spirit. There being but One Truth, man requires but One Church, which is the Temple of God within us, walled-in by dense matter. Part 19. Modern Spiritualism is neither a science, nor a religion, not even a philosophy. To the spiritualists we offer philosophical deduction, instead of unverifiable hypothesis; scientific analysis and demonstration, instead of undiscriminating faith. Part 20. Our work is done. The enemies of Truth have been all counted, and paraded for all to see. Modern science, powerless to satisfy the aspirations of the race, makes the future a void, and bereaves man of hope. Paganism is ancient wisdom replete with Deity. And today, it rules the world in secret. Part 21. If ye love me, keep my commandments. Commentary on John xiv, 15–17. Appendix A. The Fire which devours itself is more mighty than ordinary fire. Appendix B. Biography of Francis Gerry Fairfield.