This book of short stories by Goh Poh Seng tells his adventures as a young Asian student in the Ireland of the 1950s. Brought up in post-war Kuala Lumpur, the impressionable young man finds himself transported to a totally different milieu and culture. The stories follow him from the first tentative steps of his voyage to Europe, to his sojourn in a hostel for Asian students and the shock of boarding life in a boys' Catholic school; continues with his early awakening to the posibility of becoming a writer, together with a total embrace of the cultural and literary pleasures of Dublin. Along the way, he met a colourful tapestry of characters, among them a member of the Anglo-Irish gentry, the suave and charming Tom Pierre from the West Indies, and the much-loved Irish poet Paddy Kavanagh.

This book examines how Irishness as national narrative is consistently understood ‘from a distance’. Irish Presidents, critics, and media initiatives focus on how Irishness is a global resource chiefly informed by the experiences of an Irish diaspora predominantly working in English, while also reminding Irish people ‘at home’ that Irish is the 'national tongue'. In returning to some of Ireland’s major expat writers and international diplomats, this book examines the economic reasons for their migration, the opportunities they gained by working abroad (sometimes for the British Empire), and their experiences of writing and governing in non-native English speaking communities such as China and Hong Kong. It argues that their concerns about belonging, loneliness, the desire to buy a place ‘back home’, and losing a language are shared by today’s generation of social network expatriates.

A young man contemplates piano lessons and hockey; two misfits in Chinatown discover love; a Vancouver woman fondly recalls her parent's old house in Newfoundland; a girl goes to Canada to escape her father; a tired old woman recalls her origins as an orphan for sale; a teenage girl cuts off her hair and leaves home... This new anthology brings together some of the most exciting works of fiction by contemprorary Chinese Canadian Writers. Representing three generations of Chinese from a variety of backgrounds, including writers born in Canada as well as places outside, presenting a diversity of themes and styles, and set in various geographical locations and time periods, Strike the Wok is a truly kaleidoscopic look at Chinese life from modern Canadian perspectives. Internationally renowned as well as newer voices are included.

The first English-language study of German-Japanese interwar relations to employ sources in both languages.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.