This new study examines how nineteenth-century industrial Lancashire became a leading national and international art centre. By the end of the century almost every major town possessed an art gallery, while Lancashire art schools and artists were recognised at home and abroad. The book documents the remarkable rise of visual art across the county, along with the rise of the commercial and professional classes who supported it. It examines how Lancashire looked to great civilisations of the past for inspiration while also embracing new industrial technologies and distinctively modern art movements. This volume will be essential reading for all those with an interest in the new industrial society of the nineteenth century, from art lovers and collectors to urban and social historians.

Considered a troublesome burden, Evelyn Talbot is banished by her family to their remote country house. Tall Chimneys is hidden in a damp and gloomy hollow. It is outmoded and inconvenient but Evelyn is determined to save it from the fate of so many stately homes at the time - abandonment or demolition. Occasional echoes of tumult in the wider world reach their sequestered backwater - the strident cries of political extremists, a furore of royal scandal, rumblings of the European war machine. But their isolated spot seems largely untouched. At times life is hard - little more than survival. At times it feels enchanted, almost outside of time itself. The woman and the house shore each other up - until love comes calling, threatening to pull them asunder. Her desertion will spell its demise, but saving Tall Chimneys could mean sacrificing her hope for happiness, even sacrificing herself. A century later, a distant relative crosses the globe to find the house of his ancestors. What he finds in the strange depression of the moor could change the course of his life forever. One woman, one house, one hundred years.