Presents a collection of interviews with rock, blues, jazz, and acoustic guitarists, including Eddie Van Halen, Brian May, Eric Clapton, Buddy Guy, Martin Taylor, and John Williams.

In this lively collection of interviews, storied music writer Jas Obrecht presents a celebration of the world's most popular instrument as seen through the words, lives, and artistry of some of its most beloved players. Readers will read--and hear--accounts of the first guitarists on record, pioneering bluesmen, gospel greats, jazz innovators, country pickers, rocking rebels, psychedelic shape-shifters, singer-songwriters, and other movers and shakers. In their own words, these guitar players reveal how they found their inspirations, mastered their instruments, crafted classic songs, and created enduring solos. Highlights include Nick Lucas's recollections of waxing the first noteworthy guitar records; Ry Cooder's exploration of prewar blues musicians; Carole Kaye and Ricky Nelson on the early years of rock and roll; Stevie Ray Vaughan on Jimi Hendrix; Gregg Allman on his brother, Duane Allman; Carlos Santana, Eric Johnson, and Pops Staples on spirituality in music; Jerry Garcia, Neil Young, and Tom Petty on songwriting and creativity; and early interviews with Eddie Van Halen, Joe Satriani, and Ben Harper.

Visionary Guitars is comprised of substantial original conversations with twelve contemporary guitarists including Noël Akchoté, Magnus Anderrson, Lucia D'Errico, Davide Ficco, Hans Jürgen Gerung, Scott Johnson, Seth Josel, Heike Matthiesen, Amanda Monaco, Pablo Montagne, Joe Morris and Marco Oppedisano.The author skillfully elicits interesting dialogues that encompass technical explorations, questions of method, style, influence and their aesthetic goals and artistic declarations.

Secrets of master guitarists, revealed in conversation. Guitar Talk offers interviews with many of the most creative guitarists of our time. This new book presents these conversations, between Joel Harrison and Nels Cline, Pat Metheny, Fred Frith, Bill Frisell, Julian Lage, Elliott Sharp, Michael Gregory Jackson, Ben Monder, Anthony Pirog, Henry Kaiser, Mike and Leni Stern, Vernon Reid, Mary Halvorson, Nguyên Le, Rez Abbasi, Ava Mendoza, Liberty Ellman, Brandon Ross, Wayne Krantz, Dave Fiuczynski, Wolfgang Muthspiel, Miles Okazaki, Sheryl Bailey, Rafiq Bhatia, and Ralph Towner—twenty-seven great guitarists in all. An enormous range of approaches and sounds exist in the modern guitar. The instrument can howl, scrape, scratch, scream, sing, pluck, and soothe. What stands out in this book is not so much the instrument itself, rather the wonderful and idiosyncratic personalities of these bold souls, their sometimes wild, often zigzagging, and ultimately profound journeys toward beauty, meaning, and excellence in their work. We find out that jazz icon Bill Frisell won a high school band contest playing R&B tunes, beating out future members of Earth Wind and Fire. We learn which of Nels Cline's compositions he wishes to have played at his funeral. Michael Gregory Jackson recounts painful episodes of racism as he stretched between the chasm of avant jazz, rock, and blues in the 1980s. Many more revelations, amusements, and philosophies abound.

According to company lore, Gibson, the guitar manufacturer, had ceased guitar production during World War II with only "seasoned craftsmen" too old for battle doing repairs and completing the few instruments already in progress at their Kalamazoo, Michigan factory. However, beginning in 1942, Gibson started producing wartime guitars each marked with a small, golden "banner" displaying the slogan: "only a Gibson is good enough." Over 9000 of these "Banner" guitars were produced between 1942 and 1945 and they are considered to be some of the finest acoustic guitars ever produced but who was making them? In this work of musical and social history, Thomas explores the origins of the Gibson "Banner" guitars and the remarkable women, many of whom had no prior training in instrument construction, who built them.

These are the guitars so famous that their names are often household words: B. B. King's Lucille, Eric Clapton's Blackie, Stevie Ray Vaughan's First Wife, Billy F Gibbons' Pearly Gates, Neil Young's Old Black, and many more. Here's the first-ever illustrated history of the actual guitars of the stars that made the music. Other best-selling guitar histories look at the rank-and-file models, but this book is unique in profiling the actual "star guitars"--the million-dollar babies, such as the 1968 Stratocaster that Jimi Hendrix burned at Woodstock, which sold at Sotheby's auction house in 1993 for $1,300,000. Amateurs buy guitars to emulate the stars--Clapton's Strat, Slash's Les Paul--and this book explains the stars' modifications, thus showing how others can recreate those famous tones.