(Book). Talkin' 'Bout a Revolution is a comprehensive guide to the relationship between American music and politics. Music expert Dick Weissman opens with the dawn of American history, then moves to the book's key focus: 20th-century music songs by and about Native Americans, African-Americans, women, Spanish-speaking groups, and more. Unprecedented in its approach, the book offers a multidisciplinary discussion that is broad and diverse, and illuminates how social events impact music as well as how music impacts social events. Weissman delves deep, covering everything from current Native American music to "music of hate" racist and neo-Nazi music to the music of the Gulf wars, union songs, patriotic and antiwar songs, and beyond. A powerful tool for professors teaching classes about politics and music and a stimulating, accessible read for all kinds of appreciators, from casual music fans to social science lovers and devout music history buffs.

Keynote: A lively collection of short, original interviews with leading thinkersOn its twentieth anniversary, the South End Press collective has gathered the left's most prominent intellectuals for a wide-ranging discussion of the past twenty years and the next twenty years of progressive social movements in the United States.In 7 accessible, personal interviews, Zinn et al let readers know their most deeply held beliefs and hopes for the progressive movements they have led and nurtured over the last 2 decades.Every one who would like to see a revitalized, more effective movement for social change in the United States whether feminist, anti-racist, populist, anarchist, socialist, union activist, or unsure will want to read Talking About a Revolution.

Talking about a Revolution tells the story of school reform from the perspective of teachers engaged in it, illuminating the complexity of teachers' roles in transforming policy into practice. Al, Brian, and Camille teach at a large, comprehensive high school in a suburb of a major mid-western city. They use the languages of educational reform to inspire new ways to think about teaching, to shield themselves from the confusion of contradictory understandings of reform, and to construct a shared understanding of what reformed teaching might mean.

This study sheds light on a major and until now little studied Liverpool writer, Edward Rushton (1782-1814), whose politics and poetics were imbued in the most pressing events and debates shaking the world during the Age of Revolution.

Yassmin Abdel-Magied started out a dynamic, optimistic, naïve, youthful grass-roots organiser and oil rig worker before she found herself taking on the heft of the Australian political and media establishment, unintentionally. From her new home in Europe she brings her characteristic warmth, clarity and inquisitive nature to the concepts of 'the private and public self' and 'systems and society' that structure this collection. In 'The Private and Public Self’, Yassmin shares her passions for cars and cryptocurrency as well as the personal challenges around her activism and leaving Australia. She provides a hearty defence of hobbies and expands on the value and process of carving out a private life and self in an incredibly public-facing world. The concept of identity when one is a 'forever migrant' - by ancestry, and by choice - is interrogated, as is what it means to organise for social justice when you aren't sure where you belong. In 'Systems and Society’, through essays on cultural appropriation, the meaning of citizenship, and unconscious bias, Yassmin charts how her thinking on activism, transformative change and justice has evolved. She brings an abolitionist lens to social justice work and, recalling her days as a young revolutionary, encourages younger generations of activists to decide if it is empowerment they are working towards, or power. In all these essays, written with the passion, lived-experience and intelligence of someone who wants to improve our world, the concept of revolution, however big or small, is ever-present.

A comprehensive guide to the relationship between American music and politics from music expert Weissman. Unprecedented in its approach, the book offers a multidisciplinary discussion that illuminates how social events impact music as well as how music impacts social events.