Vishnu, they say, is just one of a powerful threesome, the highest lords of the universe. However, though Brahma has created the universe and Shiva can destroy it, it is up to the great god Vishnu to keep all creatures within it well and happy. Always compassionate, he is also the wisest of the trinity. It is he who good-naturedly sorts out the mess the others create and above all, Vishnu always favors the good and the pure.

In Puranic lore, Vishnu is the preserver of the universe and the cosmic order. The Dasha Avatar is the Puranic story of the ten incarnations of Vishnu who descends to the terrestrial world to establish stability and order, time and again. The avatars occur in a sequence – the first was matsya or fish representing life in water, followed by kurma or turtle signifying life in water and on land, then varaha or boar alluding to terrestrial life and so on. The sequence of the avatars could be taken to symbolise various stages in the evolution of life culminating in the advent of the perfect being.

Did you know that each avatar of Vishnu arrived with a specific purpose? Time and again, Vishnu has manifested in different forms to fulfil his role as a ‘protector’ of the world. Among the long list of 24 avatars, ten avatars have captured our imagination for centuries together—matsya, Kurma, Varaha, Narasimha, Vamana, Parshuram, Rama, Krishna, Buddha, and Kalki. But how exactly did these avatars impact the society? And how do they link to the Charles Darwin theory of evolution? While each avatar has its own set of legends that extoll their characteristics and deeds, the stories behind them are just as interesting and informative. Presented in a contemporary and unbiased perspective, these stories of the ten avatars of Vishnu are an attempt to make mythology more believable and relevant to the world that we live in today.

Vishnu, the Supreme Being, is the preserver, the protector of the good and the guardian of dharma. Seated on Adi Shesha, the many-hooded serpent, in the primeval waters, he watches over his devotees and rewards the pious. And whenever dharma is in danger, he incarnates himself on earth to rid it of evil. Beginning with an investigation of the possible non-Vedic, Dravidian origins of Vishnu, this book describes his form, aspects and attributes, and his avatars or incarnations: Matsya, the fish; Kurma, the tortoise; Varaha, the boar; Narasimha, the man-lion; Vamana, the dwarf; Parashurama; Rama; Krishna; and Kalki, the final destroyer. Combining the skill of a storyteller with the insight of a scholar, Nanditha Krishna has brought to glorious life perhaps the most powerful and revered god in the Hindu pantheon.

Includes the following titles: Tales of Vishnu Tales of Narada Prahlad Dhruva and Ashtavakra The Churning of the Ocean

Vishnu Puran is believed to be one of the most important Puranas, if not the most valuable ancient record of the faith called Sanatan Dharma. Its stories reveal about the various exploits of Vishnu incarnations. In rendering this holy text into English, the attention has been paid to put only those details that have certain fundamental truths of life. Hence, in this work those details have been deliberately omitted which may appear rather confusing or uninteresting to the reader not having the initiation in the sacred love. The main thrust of this attempt has been to show a clear glimpse of our ancient hermitage.

An enthralling virtuoso debut that eloquently captures the loves and losses of a dying man 'All the elements of great storytelling are here, the mystic transports of Ben Okri with the intimate charm of Arundhati Roy ... enchanting' Sunday Tribune 'Beautifully captures with great tenderness and depth the eternal war between duty and desire. This is a love letter to Bombay and its people' Sunday Express Vishnu, the odd-job man in a Bombay apartment block, lies dying on the staircase landing. Around him the lives of the apartment dwellers unfold - the warring housewives on the first floor, the lovesick teenagers on the second, and the widower, alone and quietly grieving at the top of the building. In a fevered state Vishnu looks back on his love affair with the seductive Padmini and comedy becomes tragedy as his life draws to a close.