Tales of the Golden Corpse is the first complete English version of the famous Tibetan folktales told to a young boy who has killed seven sorcerers in the defense of his Master. The boy must redeem himself by carrying a talking corpse full of wondrous tales on a long journey, without himself speaking a word. These 25 tales of intrigue and magic provide the reader with a window through which to view ancient Tibetan culture. Within them, you will encounter heroes and villains, fearsome witches, murderous demons, and clever tricksters with a uniquely Tibetan humor. Songs, riddles, jokes, and sayings make the stories come alive as they unfold against the background of everyday Tibet—its farmers and nomads, kings and magical beings.

Gleaned from an ancient oral tradition, these imaginative, colorful, and wisdom-filled stories will delight children and adults alike. This collection includes the Tibetan myth of creation; some of the famous Jataka tales, or stories of former lives of the Buddha; and the most popular of all the time-honored legends of Tibet, the great epic of King Gesar of Ling, the warrior who became a national hero.

Tibetan folk tales.

Enticement marks the English-language debut of prominent Tibetan writer and filmmaker Pema Tseden. This collection gathers together his most relevant and influential short stories, including "Tharlo," which he adapted into an award-winning and internationally acclaimed film in 2015. Written originally in the Chinese and Tibetan languages, these stories make use of a variety of literary styles and sources, ranging from traditional Tibetan oral tales to magical realism, surrealism, and the theater of the absurd. They humanize the Tibetan experience by stepping away from patronizing, mystic, or idealized visions of Tibet to speak with empathy and humor about the real challenges faced by Tibetans in the age of globalization.

As a child, Lucy dreams of talking fairies and lives contentedly in the wooded suburbs of Boston; she grows up to be a successful animator of fairy-tale films. Or does she? She claims at moments to be a witch in the woods. Like her sisters, who appeared in Bernheimer’s first two novels (The Complete Tales of Ketzia Gold and The Complete Tales of Merry Gold), Lucy has a secret, but she is unable to fasten onto anything but brightness. Novelist Donna Tartt writes, “Lucy’s particular brand of optimism, blind to its own shadow, is very American—she is innocence holding itself apart so fastidiously that it becomes its opposite.” This novel is a perfect end to the Gold family series, and the perfect introduction, for new readers, to Bernheimer’s enchanting body of work.