Four children find a magic way to go back into the time of Ivanhoe and Robin Hood.

When the Count's niece is kidnapped by elves, Kevin, a bard's apprentice, agrees to locate the young woman, unaware that she is not actually the Count's niece and that the elves are not actually elves.

"Born to an artistocratic Catholic family, Hermynia zur Mühlen became a prolific writer and translator sometimes called the Red Countess for her left-wing ideas and revolutionary spirit. She began to write during the several years she spent in a sanitorium for tuberculosis, a disease she battled for the rest of her life. Exiled from Germany in the 1930s for her anti-Nazi convictions and her relationship with the German Jewish translator Stefan Klein, she eventually fled to England, where she spent her final years. The 17 fairy tales selected for this book were written primarily during her radical Weimar years and demonstrate the innovative techniques she used to raise the political consciousness of readers young and old. In contrast to the classical fairy tales of Perrault, the Brothers Grimm, and Hans Christian Andersen, Zur Mühlen's focus was on the plight of the working class and the cause of social justice. The endings of her tales were intended to encouarge political action. In "The Glasses," for example, readers are encouraged to rip off the glasses that deceive them; in "The Servant," readers learn that they must share the means of production to serve the people and not just the ruling classes. In "The Carriage Horse," horses organize a union to resist their working and living conditions. In "The Broom," a young worker learns how to sweep away injustice with a magic broom. As the scholar Lionel Grossman has written (quoted by Zipes in the introduction), "Zur Mühlen's fairy tales prescribe models of behavior radically opposed to those of traditional fairy tales, the basic lesson of which had been all that one's wishes will come true if one overcomes temptation and faithfully observes established norms of good conduct." The volume will include illustrations that originally accompanied the German tales, by George Grosz, Karl Holtz, Heinrich Vogeler, and other artists of the Weimar Republic. Jack Zipes's introduction provides biographical details and historical context"--

Newbery Honor author of Ella Enchanted Gail Carson Levine weaves a spellbinding tale about a clever heroine, a dragon detective, and a shape-shifting ogre. Newly arrived in the town of Two Castles, Elodie unexpectedly becomes the assistant to a brilliant dragon named Meenore, and together they solve mysteries. Their most important case concerns the town’s shape-shifting ogre, Count Jonty Um: Someone is plotting against him. Elodie must disguise herself to discover the source of the threat amid a cast of characters that includes a greedy king, a giddy princess, and a handsome cat trainer. Readers who loved Ella Enchanted and Fairest will delight in this tale of a spirited heroine who finds friendship where she least expects it and discovers that goodness and evil come in all shapes and sizes.

Magic and whimsy meet in this Howl’s Moving Castle for a new generation from the critically adored Sophie Anderson, author of The House with Chicken Legs. Twelve-year-old Olia knows a thing or two about secrets. Her parents are the caretakers of Castle Mila, a soaring palace with golden domes, lush gardens, and countless room. Literally countless rooms. There are rooms that appear and disappear, and rooms that have been hiding themselves for centuries. The only person who can access them is Olia. She has a special bond with the castle, and it seems to trust her with its secrets. But then a violent storm rolls in . . . a storm that skips over the village and surrounds the castle, threatening to tear it apart. While taking cover in a rarely-used room, Olia stumbles down a secret passage that leads to a part of Castle Mila she’s never seen before. A strange network of rooms that hide the secret to the castle’s past . . . and the truth about who’s trying to destroy it.

In this Ugly Duckling retelling, New York Times bestselling author Melanie Dickerson brilliantly crafts a high-stakes, encouraging tale about a brave young woman, the true meaning of beauty, and the power of love. Ever since she was a child, Audrey wanted her life to be extraordinary. But as the daughter of a viscount born in late fourteenth-century England, the only thing expected of her was to marry—until an act of malice by her sister, Maris, four years ago damaged her face and her prospects. Though Maris was sent away, twenty-year-old Audrey is still suffering the scars of her sister’s cruelty. When her father announces his plans to marry off his damaged daughter and bring Maris home, Audrey decides to flee in search of her true destiny. Life outside her home is dangerous, and Audrey soon finds herself attacked, sick, and in desperate need of help. She is taken in at Dericott Castle to be nursed back to health. While there, she decides to keep her identity a secret and work as a servant in the castle. But she doesn’t count on falling in love with the young and handsome Lord Dericott, who lost his arm several months earlier and bears scars of his own. Meanwhile, Edwin—Lord Dericott—is curious about the new, well-educated servant’s identity. All he knows is that he’s quickly becoming smitten with her. When the man Audrey’s father wanted her to marry comes looking for her, she and Edwin must make life-changing decisions about what to believe and whether or not love is truly worth trusting. Praise for Castle of Refuge: “When it comes to happily-ever-afters, Melanie Dickerson is the undisputed queen.”—Julie Lessman, award-winning author Full-length clean fairy-tale reimagining Second in a brand-new series set in England: The Dericott Tales Includes discussion questions for book clubs