This memoir, as a nonfi ction book, has been written for the purpose of encouraging children from six to twelve years of age and whoever else may read it to assist them in their reading comprehension. It may also encourage them to become more aware of the people who live in their community, the work they do, what goes on in their community, and what resources they have. This story took place in the island of Barbados, West Indies, in the village of Sea View, in the parish of Christ Church. The author began by telling you about the community of Sea View, where she was born and where she grew up.

"The Caribbean has a powerful, modern tradition of fantastic literature that's on full display in this anthology of original fiction by writers from Barbados, Trinidad and Tobago, and Bermuda...None of these writers is likely to be familiar to American audiences, but all are worth getting to know. Readers who love the writing of Nalo Hopkinson, Tobias S. Buckell, and Lord herself will savor this volume." --Publishers Weekly, Starred review "New Worlds, Old Ways fulfills its promise of arriving at a recognizable genre of Caribbean speculative fiction. Prior to this collection we have not had any reader-friendly approaches that have directly addressed the genre of Caribbean speculative fiction. Lord, and the various writers in this collection, have given readers access to a hitherto unexplored genre, one that differentiates as well as connects to the treasure trove of Caribbean literature. The collection is a boon for scholars and reading aficionados of the Speculative Fiction genre. And as the editor states, true to its world, New Worlds, Old Ways offers both depth and delight without disappointment. It suggests tthat if one looks closely enough, they will find that Caribbean fiction has always been speculative." --SX Salon Do not be misled by the "speculative" in the title. Although there may be robots and fantastical creatures, these common symbols are tools to frame the familiar from fresh perspectives. Here you will find the recent past and ongoing present of government and society with curfews, crime, and corruption; the universal themes of family, growth and death, love and hate; the struggle to thrive when power is capricious and revenge too bittersweet. Here too is the passage of everything—old ways, places, peoples, and ourselves—leaving nothing behind but memories, histories, and stories. This anthology speaks to the fragility of our Caribbean home, but reminds the reader that although home may be vulnerable, it is also beautifully resilient. The voice of our literature declares that in spite of disasters, this people and this place shall not be wholly destroyed. Read for delight, then read for depth, and you will not be disappointed. Brand-new stories by: Tammi Browne-Bannister, Summer Edward, Portia Subran, Brandon O'Brien, Kevin Jared Hosein, Richard B. Lynch, Elizabeth J. Jones, Damion Wilson, Brian Franklin, Ararimeh Aiyejina, and H.K. Williams. New Worlds, Old Ways is the third publication of Peekash Press, an imprint of Akashic Books and Peepal Tree Press committed to supporting the emergence of new Caribbean writing, and as part of the CaribLit project.

"If you look at a map, you will see that the island chain known as the Caribbean, or, to confuse you, the West Indies, lies between Florida and South America and resembles a string of gems or possibly drool." And so begins author Gary Buslik's tale of tropical adventure. Each chapter of this often hilarious and sometimes poignant travelogue recounts another island-hopping, culture-clashing crisis that pits the homesick author against falling coconuts, hospitals that remove wrong organs, insects as big and dangerous as stealth bombers, ticket agents that put him on hold for hours, mysteriously calculated currency exchanges, over-proofed rum, livestock, singing Rastafarians, garbage-bin sex, peanut-crazed children, Idi Amin, flesh-eating monkeys, dentists, cricket, steel drum bands, and the French. Fortunately, even when making fun of his West Indian hosts, the curmudgeonly author's essential good nature and devotion to his wife twinkle through, and in the end his stubborn geocentricity gives way to a heartfelt appreciation of his island hosts.

Charming and vividly evocative... I feel as if I have got to know these islands, and almost to have been there.' Helena Drysdale, author of Strangerland Ah, to be an embryo again. Christopher Vanier's story begins where we all do, conception. Set in 1940s and 1950s on the Caribbean island of St Kitts and beset by a troubled colonial legacy, both Christopher and his island yearn for independence. Vanier recalls the mischief of an island childhood: giving his baby brother to an ungrateful monkey, sneaking out to the cinema after school hours, hair-raising jaunts on a volcano, disastrous experiments involving a rocket... Is this boy lost in the plain sailing of childhood or can he turn his curiosity into Caribbean Chemistry? This is a story of self-discovery, told candidly in language rich enough to eat: Breadfruit, breadnut, bamboo, lignum vitae, marouba, weedee, and calabash. Funny and engaging, a story about breaking the barriers of identity and finding them again. A rare view of the emigrant's tale.

Verhalen uit het Caraibisch gebied.

A collection of favourite tales gathered from the many different islands of the Caribbean, one of the world's richest sources of traditional storytelling. From the very first Kingfisher to Anansi the Spider Man, these lively retellings full of humour and pathos, are beautifully retold by Trish Cooke. The book includes endnotes with a glossary, additional information as well as ideas for activities that children can do to explore the stories further.