This critical biography chronicles both the actual travels and the philosophical meanderings of Talbot Mundy, one of the pioneers of the fantasy and adventure genre. Less celebrated than his contemporaries Rudyard Kipling and Joseph Conrad, Mundy was no less gifted when it came to the literary portrayal of faraway lands. He was one of the first Western writers to show an appreciation of Eastern culture, and his writing became an outlet for his radical ideas on religion and philosophy. At the age of sixteen, Mundy left his native England to begin his life of adventure--a journey that took him from India to the Middle East to Tibet and finally to America, which became his adopted home. The American spirit of adventure matched Mundy's own, and it was here that he found a true audience for his work. This book explores Mundy's oeuvre--much of it set in exotic locales through which he himself had traveled--and considers both his novels and his lesser known writing, as well as his film and radio work. Books such as Rung Ho!, King-of the Khyber Rifles, Caves of Terror, Purple Pirate and Tros of Samothrace are discussed and placed within the framework of Mundy's life and philosophy. The final chapter evaluates the enduring value of his writings. Appendices include a comprehensive list of Mundy's works and a chronological listing by their original publication dates.

A unique study of one of Hollywood's hallmarks, the historical adventure film.

Some oldthinkers still read books . . . Carl Wells has been one of them. Some of those books have made a huge impression on him. Books I Have Loved gives us Wells' response to 46 books (by 41 authors) encountered through a longish life mostly spent (misspent?) reading books. His only regret is that he didn't spend more time reading.

Robert E. Howard is famous for creating such immortal heroes as Conan the Cimmerian, Solomon Kane, and Bran Mak Morn. Less well-known but equally extraordinary are his non-fantasy adventure stories set in the Middle East and featuring such two-fisted heroes as Francis Xavier Gordon—known as “El Borak”—Kirby O’Donnell, and Steve Clarney. This trio of hard-fighting Americans, civilized men with more than a touch of the primordial in their veins, marked a new direction for Howard’s writing, and new territory for his genius to conquer. The wily Texan El Borak, a hardened fighter who stalks the sandscapes of Afghanistan like a vengeful wolf, is rivaled among Howard’s creations only by Conan himself. In such classic tales as “The Daughter of Erlik Khan,” “Three-Bladed Doom,” and “Sons of the Hawk,” Howard proves himself once again a master of action, and with plenty of eerie atmosphere his plotting becomes tighter and twistier than ever, resulting in stories worthy of comparison to Jack London and Rudyard Kipling. Every fan of Robert E. Howard and aficionados of great adventure writing will want to own this collection of the best of Howard’s desert tales, lavishly illustrated by award-winning artists Tim Bradstreet and Jim & Ruth Keegan.

During the Cold War, as part of its defense strategy against the Soviet Union, the U.S. was forced to establish means of massive long-range attack in response to Soviet advancements in weaponry. These defenses detected and tracked manned bomber aircraft, hostile submarines and missiles launched from the other side of the world. This book shows how these defenses evolved from fledgling stop-gap measures into a complex fabric of interconnected combinations of high-tech equipment over 40 years. Maps illustrate the extent of the geographic coverage required for these warning and response systems and charts display the time frames and vast numbers of both people and equipment that made up these forces.

Based on ten years of research, Santanu Das's India, Empire, and First World War Culture: Writings, Images, and Songs recovers the sensuous experience of combatants, non-combatants and civilians from undivided India in the 1914–1918 conflict and their socio-cultural, visual, and literary worlds. Around 1.5 million Indians were recruited, of whom over a million served abroad. Das draws on a variety of fresh, unusual sources - objects, images, rumours, streetpamphlets, letters, diaries, sound-recordings, folksongs, testimonies, poetry, essays, and fiction - to produce the first cultural and literary history, moving from recruitment tactics in villages through sepoy traces and feelings in battlefields, hospitals, and POW camps to post-war reflections on Europe and empire. Combining archival excavation in different countries across several continents with investigative readings of Gandhi, Kipling, Iqbal, Naidu, Nazrul, Tagore, and Anand, this imaginative study opens up the worlds of sepoys and labourers, men and women, nationalists, artists, and intellectuals, trying to make sense of home and the world in times of war.