This illustrated bilingual study explores the development of Talavera Poblana glazed earthenware, from the seventeenth century when it was introduced to the New World in Puebla, Mexico, to the present day. These distinctive ceramic basins, vases, drug jars, tile panels, and sculptures synthesize forms and motifs of Spanish, Islamic, Chinese, and Italian origins to create a magnificent, uniquely Mexican style.

This book follows Chinese porcelain through the commodity chain, from its production in China to trade with Spanish Merchants in Manila, and to its eventual adoption by colonial society in Mexico. As trade connections increased in the early modern period, porcelain became an immensely popular and global product. This study focuses on one of the most exported objects, the guan. It shows how this porcelain jar was produced, made accessible across vast distances and how designs were borrowed and transformed into new creations within different artistic cultures. While people had increased access to global markets and products, this book argues that this new connectivity could engender more local outlooks and even heightened isolation in some places. It looks beyond the guan to the broader context of transpacific trade during this period, highlighting the importance and impact of Asian commodities in Spanish America.

By examining both historic and contemporary examples, the editors move discussion of the enameled earthenware known as mayolica beyond its stylistic merits in order to understand it in historic and cultural context. It places the ceramics in history and daily life, illustrating their place in trade and economics.

Women Entrepreneurs offers a collection of almost two dozen cases that explore the process by which women become entrepreneurs, as well as the opportunities and challenges they face in growing their businesses. With a particular focus on the intersection between entrepreneurship and economic development, the cases are drawn from across a range of industries and countries. They offer insights into a number of issues women entrepreneurs face, such as launching a business, diversification and internationalization, as well as covering a number of business functions, including finance, marketing and human resource management. Each case is presented with a summary highlighting the themes it covers, and ends with a set of questions to guide classroom discussion. The book also includes a summary of existing literature on entrepreneurship to help contextualize the cases. This casebook would be the ideal companion in an entrepreneurship class, particularly for students with an interest in female entrepreneurship or economic development. With data from a Goldman Sachs/Lauder Institute study.

Provides a detailed look at the political and artistic climate in Mexican-American relations through an examination of the folk art collection amassed by Dwight and Elizabeth Morrow when he was U.S. ambassador to Mexico in the late 1920s.

With over 630 striking color photos and illustrations, this Chinese art guide focuses on the rich tapestry of symbolism which makes up the basis of traditional Chinese art. Chinese Art: A Guide to Motifs and Visual Imagery includes detailed commentary and historical background information for the images that continuously reappear in the arts of China, including specific plants and animals, religious beings, mortals and inanimate objects. The book thoroughly illuminates the origins, common usages and diverse applications of popular Chinese symbols in a tone that is both engaging and authoritative. Chinese Art: A Guide to Motifs and Visual Imagery is an essential reference for collectors, museum-goers, guides, students and anyone else with a serious interest in the culture and history of China.

The second Rizzoli publication dedicated to an important member of the Mexican and Latin American architectural vanguard, celebrating exceptional craftsmanship and refined sophistication, and guided by the ideals of Mexican modernism. Farca looks to the work of the late design icon Luis Barragán for inspiration, blending tradition with modernity. He focuses on the importance of collaborating with indigenous artisans who work in age-old Mexican crafts, to create environmentally sustainable, indoor/outdoor spaces and furniture with a palette of natural materials, translated through a contemporary luxury lens. This lavish volume features sixteen of his newly built private residences in Mexico and California that show off his spectacular designs for seamless indoor and outdoor living. Notable projects include sun-drenched beach houses in Los Angeles and throughout Mexico that integrate artisanal practices, such as mosaics and patterns of hammered copper, which contribute to the local communities. At the start of any project, Farca and his team undertake a detailed bioclimatic study of a site, documenting the wind, light, and temperature conditions hour to hour and day to day. Those shifts generate the framework for layouts, form, flow, and material choices. At the Los Jales house in Jalisco sun washes deliberately across exterior walls of stucco and cast-in-place concrete, their distinctive surfaces shifting into an immersive tapestry of complementary gray tones, a tableau en grisaille. Beyond the exterior walls the unexpected awaits, be it a sublime courtyard planted with branching cacti; a seamless sweep of pool, surf, and sky; or a floating central staircase bathed in natural light. Step through the front doors and the outside world recedes as textures, surfaces, finishes, and geometries come into focus, inviting exploration and contemplation.