This picture book of Dee Snider's classic song of empowerment and self-determination will strike a chord with kids everywhere. Oh we're not gonna take it No, we ain't gonna take it Oh we're not gonna take it anymore We're Not Gonna Take It is a playful picture book echoing 1980s hair band Twisted Sister's most popular antiestablishment anthem. As part of their triple-platinum album Stay Hungry, "We're Not Gonna Take It" spent fifteen weeks on the Billboard Hot 100 chart, reaching number twenty-one. With lyrics by Dee Snider and illustrations by Margaret McCartney, this picture book follows three toddlers on a mission to defy their parents, whether it be lunchtime, bath time, or bedtime. We're Not Gonna Take It is a story both parents and children can relate to, and a song they can enjoy together. Released in 1984, "We're Not Gonna Take It" is a signature rock anthem of the 1980s The song was a Hot 100 top forty hit and reached the top ten on the Billboard Mainstream Rock chart The album it appeared on, Stay Hungry, was the band's breakthrough and a US top twenty hit Its anthemic quality has propelled the song to become a US pop culture touchstone The song has an iconic music video "'We're Not Gonna Take It' was a watershed moment in hard rock. It delivered a defiant song that originally shook up the establishment." --Christa Titus, Billboard "'We're Not Gonna Take It' is an indelible hit, whose instantly recognizable hook practically invites the listener to shout along." --Rachel Martin and Phil Harrell, NPR

The second part in the Sins of the Father saga.

When Reynold Levy became the new president of Lincoln Center in 2002, New York Magazine described the situation he walked in to as "a community in deep distress, riven by conflict." Ideas for the redevelopment of Lincoln Center's artistic facilities and public spaces required spending more than 1.2 billion, but there was no clear pathway for how to raise that kind of unprecedented sum. The individual resident organizations that were the key constituents of Lincoln Center -- the Metropolitan Opera, the New York City Opera, the New York Philharmonic, the Juilliard School, and eight others -- could not agree on a common capital plan or fundraising course of action. Instead, intramural rivalries and disputes filled the vacuum. Besides, some of those organizations had daunting problems of their own. Levy tells the inside story of the demise of the New York City Opera, the Metropolitan Opera's need to use as collateral its iconic Chagall tapestries in the face of mounting operating losses, and the New York Philharmonic's dalliance with Carnegie Hall. Yet despite these and other challenges, Levy and the extraordinary civic leaders at his side were able to shape a consensus for the physical modernization of the sixteen-acre campus and raise the money necessary to maintain Lincoln Center as the country's most vibrant performing arts destination. By the time he left, Lincoln Center had prepared itself fully for the next generation of artists and audiences. They Told Me Not to Take That Job is more than a memoir of life at the heart of one of the world's most prominent cultural institutions. It is also a case study of leadership and management in action. How Levy and his colleagues triumphantly steered Lincoln Center -- through perhaps the most tumultuous decade of its history to a startling transformation -- is fully captured in his riveting account.

A fresh and refined appraisal of today's top cyber threats

Reflections on how we talk to each other and how we can do it better by “a powerful writer with a musical ear for language and a gift for emotional candor.” —The New York Times In this erudite and playful primer on the art of conversation, Stephen Kuusisto vigorously tackles the slippery subject of how to converse meaningfully with others. Kuusisto employs a wide range of personal anecdotes, classical texts, and an engaging style to illustrate his points. In seven short, provocative and imaginatively wrought chapters, he spins a compelling argument for the joys of “being connected,” and skillfully shows how to achieve this bond in everyday exchanges. Praise for the works of Stephen Kuusisto “Masterful.” —Kirkus Reviews “Luminous.” —The Boston Globe “Perceptive and beautifully crafted.” —Temple Grandin, author of Animals in Translation

This book empowers people to tackle their drinking problems and gives them the freedom to do so in a way that fits with their own lifestyles and values.

As a pastor I have a dual role: that of a prophet and a priest. The prophet confronts the people, and the priest comforts the people. I am to comfort the troubled and trouble the comfortable. In relationship to the Bible, the dual struggle is clear. As the priest, I take the Bible seriously because it changes lives (first sermon). I have never heard anyone give testimony that reading Platos The Republic, Virgils Aeneid, Homers Odyssey, Ciceros Moral Ethics, or John Stewart Mills Liberty changed their lives. But thousands of people have given testimony of how reading the Bible has changed their lives forever. As the prophet, I propose to you that no book has been more abused than the Bible or more misunderstood. The Bible has been a playground for lunatics, profit for the charlatans, a profession for the clergy, a problem for theologians, a puzzle for the general public, and placid for the masses. I believe if a person will read the Bible interpretatively and intelligently it will be read seriously, respectfully and reverently thereby becoming the living word of God. Gene Rollins, Author