The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, torridly romantic liaisons in foreign settings, and fanatically devoted fans. But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan. The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways. Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.

The all-female Takarazuka Revue is world-famous today for its rococo musical productions, including gender-bending love stories, This text explores how the Revue illuminates discourses of sexual politics, nationalism, imperialism and popular culture in 20th-century Japan.

Taking an interdisciplinary approach, this book provides an in-depth analysis of Takarazuka's history, educational traditions and theatrical ethos viewed from the prism of Japan's modernization and globalization in the twentieth century. Its relationship to Japanese popular culture, especially in the fields of manga and fashion as well as its ongoing success are also addressed.

Shakespeare Survey is a yearbook of Shakespeare studies and production. The theme for Shakespeare Survey 60 is 'Theatres for Shakespeare'.

"The artifice of gender performance - sometimes playful, mostly conscientious - has for ninety-four years enthralled and entertained fans of the Takarazuka Revue, Japan's largest all-female musical theatre company. Adored by a predominantly female audience, its' dashing male-role players embody an 'ideal masculinity,' reflected and magnified by the overwrought femininity of their female-role counterparts." "Through analysis of the aspirations, endeavours and experiences of Takarazuka's creators, performers and fans, voiced by the author's years of participant observation, this volume elucidates a plethora of gender issues which have impacted upon the life-stages of women in Japan."--BOOK JACKET.