This Book Is A Comprehensive Study Of The Rise And Development Of Buddhism In A Broader Spatio-Temporal Context Of The Western Trans-Himalayan Rergion Since Its Nascent Days In India.

This book looks at Cuban and Argentine theater of the late 1960s and early 1970s to see how the idea of spectacle as violence was used to comment on and question the social and political violence that was unfolding offstage.

"The monastery of Tabo lies in northern India in the secluded Spiti valley, which was at one time part of the ancient kingdom of Western Tibet. The oldest continuously operating Buddhist enclave in India and the Himalayas, Tabo's historical role as an intermediary between India and Tibet and the extraordinary beauty of its frescoes make it a place of unique importance. The main temple of Tabo is one of the masterpieces of Indian and Tibetan art. Built in 996 and renovated in 1042, the temple is remarkable not only for the exceptional quality of its sculpture and the decorative paintings that cover every surface, but also for the numerous portraits of royal patrons, members of the local nobility, and ecclesiastical figures, all identified by name. Tabo played a pivotal role in the history of Buddhism in the tenth and eleventh centuries, when Tibetan monks and Indian pandits studied together and translated scripture from Sanskrit into Tibetan. This meeting of trans-Himalayan cultures, and the devotions of their faithful, are vividly preserved in the magnificent paintings and sculptures that adorn the original temple and the monastery that surrounds it."--Amazon.