"e;Hierdie werk is 'n kombinasie van oorspronklike (nuwe) navorsing, die herbewerking van vroeer gepubliseerde werk, asook die verwerking van lesings en referate. Die bydraes in die bundel dra by om onontginde terreine te ondersoek en ander te verfyn in die lig van nuwe insigte."e; - Prof. Wannie Carstens, Noordwes-Universiteit

A carefully selected collection of essays by the most renowned specialist in terminology in France, now published in English. The chapters deal with the origins of terminology, theoretical issues, social aspects, neologisms and evolution, lexicology and lexicography, applied issues, description and control, standardization and terminology in "Le Grand Robert." It contains the revised and translated chapters of Rey's famous "La Terminologie" "noms et notions" and other recent articles in English. This book is essential reading for terminology theorists and practitioners and will serve as elementary reading in Terminology training. It includes a complete bibliography of Alain Rey's writings.

Several of the basic ideas of current language theory are subjected to critical scrutiny and found wanting, including the concept of scope, the hegemony of generative syntax, the Frege-Russell claim that verbs like `is' are ambiguous, and the assumptions underlying the so-called New Theory of Reference. In their stead, new constructive ideas are proposed.

This volume of critical essays explores various facets of the social sciences and humanities from an interdisciplinary perspective. The essays gathered here have been culled from different aspects of humanities research in order to widen the scope of research possibilities. The dialogic mode in which the essays are arranged lends a unique texture to the book. This volume will be of interest to researchers, academics and even the casual reader with an interest in the humanities. The rich array of topics covered here gives an inkling of the range of Professor Milind Malshe’s research interests and his academic associations in his career as a scholar and mentor. The different sections in this volume engage in a performance of sorts, allowing a free play of many voices—identified as the core to teaching and research in the humanities.

Speech Genres and Other Late Essays presents six short works from Bakhtin's Esthetics of Creative Discourse, published in Moscow in 1979. This is the last of Bakhtin's extant manuscripts published in the Soviet Union. All but one of these essays (the one on the Bildungsroman) were written in Bakhtin's later years and thus they bear the stamp of a thinker who has accumulated a huge storehouse of factual material, to which he has devoted a lifetime of analysis, reflection, and reconsideration.

We are pleased to be able to honor Arthur J. Bronstein with this volume of essays. We are all the more pleased because the volume has consider able intrinsic merit, but neither the reader nor Arthur should have any doubts about our primary purpose in assembling this book. That the col lection is intrinsically valuable is, in itself, a tribute to the man whom it honors: The contributing authors are all colleagues, students, and friends of Arthur. Readers who are acquainted with Arthur will not be surprised by the broad range of academic expertise which has been brought to bear on the subject of language in this book. They will recognize that Arthur's own range of expertise and interest is only barely matched by the contents of the essays and the backgrounds of their authors. On the other hand, those who know little about Arthur may have thought of him primarily in narrow association with phonetics and lin guistics, most likely as the author of The Pronunciation of American English, surely the most influential of American phonetics texts during the last quarter of a century. Although such an association is in many respects appropriate, it is altogether too limited, but this will not deter us from using it as the basis for a relevant and, we hope, revealing metaphor about Arthur J.

This collection of essays presents an up-to-date overview of research in the minimalist program of linguistic theory. The book includes a new essay by Noam Chomsky as well as original contributions from other renowned linguists. Contributors: Andrew Barss, Zeljko Boskovic, Noam Chomsky, Hamida Demirdache, Hiroto Hoshi, Kyle Johnson, Roger Martin, Keiko Murasugi, Javier Ormazabal, Mamoru Saito, Daiko Takahashi, Juan Uriagereka, Myriam Uribe-Extebarria, Ewa Willim.