SCP Foundation Artbook Series by ParaBooks is based on an ambitious international web project scpwiki.com. This volume wrapped in yellow leather imitation and a dust jacket contains such famous objects as The Old Man, UnLondon, Red Sea Object, The Clockworks and many other monstrous creatures and intriguing stories that will send a chill down your spine. Read detailed reports imitating real SCP Foundation documents, complemented by additional infographic materials, and illustrated by professional artists from all around the world. The book is designed with great care to look like an authentic research journal. You can even write your name on it! This is one of the three artbooks published by ParaBooks team during their IndieGoGo crowdfunding campaign. The project was a great success, and almost 30,000 copies were sold so far. You can find reviews via #parabooks on social media or by visiting the project page on IndieGoGo!

In Yellow Earth, John Sayles introduces an epic cast of characters, weaving together narratives of competing agendas and worldviews with lyrical dexterity, insight, and wit. When rich layers of shale oil are discovered beneath the town of Yellow Earth, all hell breaks loose. Locals, oil workers, service workers, politicians, law enforcement, and get-rich-quick opportunists—along with an earnest wildlife biologist—commingle and collide as the population of the town triples overnight. Harleigh Killdeer, chairman of the tribal business council of the neighboring Three Nations reservation, entertains visions of "sovereignty by the barrel" and joins forces with a fast-talking entrepreneur. From casino dealers to activists and high school kids, everyone in the region is swept up in the unsparing wave of an oil boom. Sayles’s masterful storytelling draws an arc from the earliest exploitation of this land and its people all the way to twenty-first-century privatization schemes. Through the intertwining lives of its characters, Yellow Earth lays bare how the profit motive erodes human relationships, as well as our living planet. The fate of Yellow Earth serves as a parable for our times.

Kids must fasten their seatbelts as they prepare, by checking the mirrors, checking the oil, and starting the engine, to take their little yellow taxi for a wild ride, in this vibrant, interactive book that introduces the concept of telling time.

This offers a detailed and long-awaited reassessment of one of the most maligned periods in American journalism—the era of the yellow press. The study challenges and dismantles several prominent myths about the genre, finding that the yellow press did not foment—could not have fomented—the Spanish-American War in 1898, contrary to the arguments of many media historians. The study presents extensive evidence showing that the famous exchange of telegrams between the artist Frederic Remington and newspaper publisher William Randolph Hearst—in which Hearst is said to have vowed to furnish the war with Spain—almost certainly never took place. The study also presents the results of a systematic content analysis of seven leading U. S. newspapers at 10 year intervals throughout the 20th century and finds that some distinguishing features of the yellow press live on in American journalism. The yellow press period in American journalism history has produced many powerful and enduring myths-almost none of them true. This study explores these legends, presenting extensive evidence that: • The yellow press did not foment-could not have fomented-the Spanish-American War in 1898, contrary of the arguments of many media historians • The famous exchange of telegrams between the artist Frederic Remington and newspaper publisher William Randolph Hearst-in which Hearst is said to have vowed to furnish the war with Spain-almost certainly never took place • The readership of the yellow press was not confined to immigrants and people having an uncertain command of English, as many media historians maintain The study also presents the results of a detailed content analysis of seven leading U.S. newspapers at 10-year intervals, from 1899 to 1999. The content analysis—which included the Denver Post, Los Angeles Times, New York Times, Raleigh News and Observer, St. Louis Post-Dispatch, San Francisco Examine and Washington Post—reveal that some elements characteristic of yellow journalism have been generally adopted by leading U. S. newspapers. This critical assessment encourages a more precise understanding of the history of yellow journalism, appealing to scholars of American journalism, journalism history, and practicing journalists.