In this book Evola set out his own racial doctrine on the premise of the traditional tripartition of the human being into body, soul, spirit. In the first part, race is presented as a revolutionary idea. The three degrees of race are defined in the second part and elaborated upon in the third part. The fourth part begins with a clear definition of the term "Aryan" and ends with considerations on the racial issue from the point of view of law. Finally, the problem of racial rectification is discussed thoroughly.

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity. Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life. This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture. Visit the book's free Discussion Guide: www.dropbox.com

But he also finds the first traces of modern ideas of race and the protoscences of late medieval cabalism and hermeticism. Following that trail forward, he describes the establishment of modern scientific and philosophical notions of race in the nineteenth and twentieth centuries and shows how those notions became popular and pervasive, even among those who claim to be nonracist.

Julius Evola was a renowned Dadaist artist, Idealist philosopher, critic of politics and Fascism, 'mystic, ' anti-modernist, and scholar of world religions. Evola was all of these things, but he saw each of them as no more than stops along the path to life's true goal: the realisation of oneself as a truly absolute and free individual living one's life in accordance with the eternal doctrines of the Primordial Tradition. Much more than an autobiography, The Cinnabar Path in describing the course of Evola's life illuminates how the traditionally-oriented individual might avoid the many pitfalls awaiting him in the modern world. More a record of Evola's thought process than a recitation of biographical facts, one will here find the distilled essence of a lifetime spent in pursuit of wisdom, in what is surely one of his most important works.

Written during the rule of National Socialism in Germany and the rise of the so-called Racial Laws in Fascist Italy, The Myth of the Blood offers a unique window into the historical origins of the racialist thought that so fatefully characterized an era. More than a study of history, however, The Myth of the Blood is a magisterial overview of the problem of human race itself, by one of the great thinkers of the past century, the traditionalist philosopher Julius Evola. This book traces the development of the concept of race from antiquity to contemporary times, proceeding through historical, mythical, scientific, and philosophical perspectives, keenly dissecting the thought of the foremost theoreticians in the field of race studies. The result is an unmatched analysis of a notoriously difficult issue, undertaken with an admirable mixture of fearlessness, fairness, and erudition. In a day of growing questions, controversies, and doubts surrounding the nature and meaning of human race, Evola's reflections are as timely now as they were on the day of their publication.